The Irving Postcards: Louisville, KY

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The United States Post Office, Court House, and Custom House in Louisville, KY (1936 Postcard Image, and December 2018). 

Last month, I spent a few days passing through the lower Midwest, including one of my favorite cities, Louisville. Not only is Louisville an overwhelmingly cool city with a great musical history (and according to Ethan Buckler a consistent threat of twisters), it’s also rich with history. Like its counterpart up the Ohio River Cincinnati, I imagine Louisville was a major crossroads during the antebellum era and reconstruction. It also gave us Muhammad Ali, quality baseball bats, and Elliott.

The two postcards I had on hand, like many items in the Ben Irving collection, were of newer landmarks the city was trying to show off in the WPA era. The Post Office and Memorial Auditorium both foreground Greco-Roman elements in their architecture. Only the Post Office postcard had any information about the building; it reads “Cost $3,000,000.00. Covers block on Broadway between 6th and 7th Streets.” Pretty straightforward. According to one inflation calculator, 3 Million dollars in 1930 would convert to $44,848,829.59 in today’s currency.

The more interesting building, for me, was the Memorial Auditorium. This postcard had absolutely no information on it, but according to the Auditorium’s official history, it opened in 1929 and was designed as a deliberate Greek Revival throwback by Thomas Hastings.

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Louisville Memorial Auditorium (1936 Postcard / December 2018 in Background)

Though it looked like there were some city offices inside the building (I saw a security guard wander out one of the side doors and leave shortly after I took the above picture), nobody appeared to be home, so I couldn’t go inside. I did wander around the building to get a more detailed look. My favorite part may be the bas reliefs, which you can see pretty clearly on the 1936 postcard image.

Thank you for reading. Coming soon: a failed attempt at an ambitious vista re-creation in West Virginia!

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Nathan Jurberg

Happy Birthday to Nathan Jurberg on what would have been his 100th. I became aware of his existence during a trip to Florida on March 8th, 2000, four days after he died:

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I know next to nothing about Jurberg, other than that he was Jewish, was born on December 12, 1918 (cf. public data sites), and lived on the 4th floor of Jade Winds when he passed on. I assume that he migrated to Florida to spend his retirement like my great-grandparents, but I have no way to know that for certain (unless you knew him and can tell me more).

A Brief Visit to Columbia, SC

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I was down in Columbia last weekend. I managed to forget my Ben Irving postcards, but I did check my database against whatever images I could find, and most of the sites included were torn down. This wasn’t the first time I had run into that issue, but it was pretty dispiriting. Downtown Columbia has a lot of great things going on, as both the state capital and a major college town. My favorite building (and beneficiary of benign neglect) is probably Tapp’s Arts Center at 1644 Main Street. According to the official history, it was built in 1940. Irving went to Columbia at least four times (1936, 1938, 1940, and 1941), so he saw the growth of that block as the department store went up.

il_340x270-1480314154_8sc4Here are a couple of online resources I found about two of them: the Jefferson Hotel and the Hotel Wade Hampton. The namesake of the latter is indelible to antebellum South Carolina history, and I’m just learning about the Hampton family now. Their plantation Southeast of downtown Columbia, Millwood, was also featured on one of Irving’s postcards and remained a tourist attraction for over a century after Sherman’s raiders torched it in 1865. The columns depicted on the postcard and various easily-searchable photos from the 1940’s were all that survived of the estate (one of which toppled in 1930, leaving five standing). On the way out of town, I drove down to the site, which sits behind a private fence across from a Target Plaza on the outskirts of Columbia. As the sun was setting, I drove down Woodlawn Avenue slowly, trying to catch a glimpse of anything through the trees. No luck, unsurprisingly; the Millwood site was too far West of anywhere visible. It seemed like everything was still named after Wade Hampton, including the private road leading to the old site and the public park off of Woodlawn where a bunch of young African-Americans played basketball. The site owners still give tours monthly, though all that’s there to see are decapitated pillars slowly being reclaimed my nature. Meanwhile, up the road, Columbia’s downtown grows fast; the Old South vanishing as the New South booms. Though he may not have realized it at the time, Ben Irving’s Southern journeys afforded him a glimpse at a South, albeit paralyzed by Jim Crow laws, limping into modern America. Today, like many Southern cities, it’s at the forefront.

Thanks for reading! Here’s a photo of one of their giant Gamecock statues on Gervais Avenue. Some colleagues goaded me into climbing onto this thing during the 2016 SEDAAG meeting. I don’t want to talk about it.

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Re-Photography in the Midwest: Indianapolis | Cadiz, OH | Cleveland

Over Spring Break, a friend and I headed up to the Southern Great Lakes Region on a road trip. I brought along a few selections from the Ben Irving postcard collection. Here is what came of that.


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Irving mailed this one from Indy to family in Hartford on the evening of September 23, 1934. The caption reads “Obelisk of black granite in the INDIANAPOLIS WORLD WAR MEMORIAL PLAZA AT INDIANAPOLIS showing 100 foot pink marble basin of electric fountain illuminated.” I always find the different ways objects reference the Great War interesting, considering how in 1934 the building blocks for World War II were in place but it was not yet imminent. I suppose it was common, more than fifteen years on, to refer to the Great War as ‘the World War.’ I wonder if the terminology differed depending on where it was published.

Also noteworthy was this card’s crude illustration and its unique publisher. Rather than the nationally oriented Teich Company, this card was printed and distributed by a local concern: the DeWolf News Co in Indianapolis. Strangely, this doesn’t turn up in a search for DeWolf in the Indianapolis Library Postcard Collection here. The artist seemed to want to depict the underlit fountain, which I’m sure would be running in full vigor during the summer, but what came out was a botched, blotched depiction that looks closer to how a schoolkid might draw fire. The obelisk at attention also appears to be dark blue with a golden triad on top.

At any rate, this shot was challenging. Thankfully, my smartphone’s camera has a smart iris/shutter tandem. I think I took this around 2pm, right before we left town and right when the sun was sitting almost directly above the obelisk’s tip from this vantage point. It took a couple attempts, but it came out. Here are a few outtakes where I played with card placement and focus.


CADIZ, OH

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Irving mailed this postcard home to Brooklyn from Wellsburg, WV (right across the state line) on December 16, 1936. The card was published by the Cadiz News Agency. His note on this one was pretty lengthy, asking my grade-school aged grandmother if she had been behaving. He also mentions “remember Clark Gable the actor was born in this town. His picture is all around here. Interesting.”

At the time Irving sent this card, Gable was probably the biggest star in Hollywood. Today, Gable’s birthplace and an annual festival there every February are the depleted town’s two biggest meal tickets. Though he was born there, he wasn’t from there, technically. At least, this was what Cadiz native Jamie Miller told me when we stopped to chat outside of her Ohio Valley Winery. Miller also told me that the vacant lot across the street from the Court House building (whose roof most likely provided the vantage point for this postcard) was occupied until a few years ago by Mr. Fish, a seafood joint torn down sometime over the past two years. My friend and I had to push on to Pittsburgh (as the sun was obviously setting), so we couldn’t stick around, but if you’re ever passing through Cadiz, check out their Winery.

We pulled into Cadiz with about 20 remaining minutes of sunlight and I did my best to get the photo you see above while it was still recognizable. Most of the features in the postcard are still visible, including the statue in the foreground. Here are a few of the other shots I took in the vicinity.


CLEVELAND

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This souvenir packet, mailed to Brooklyn in October 1938, gave me so much material to work with. First of all, seeing Cleveland referred to as “The City of Industry and Refinement” invites a whole bunch of jokes about its de-industrialization. Of course, that’s been done to death. The cover features a vantage panorama of Public Square and Terminal Tower, which you can see in the blurry background of the photo above. The May Company Building, the white structure next to my thumb, now houses a Community College and a Taco Bell Cantina (a late-night Taco Bell that serves alcohol… what a time to be alive).

The packet had a slew of information about Cleveland’s then-recent development. It doesn’t mention anything about the May Company, but it does detail the function of the Terminal Tower and the network connected through the unified terminal, often called the “Gateway to the Continent” at the time. The only other featured site I was able to find nearby was the Public Auditorium, a massive building located next to the Fountain of Eternal Life. Though we couldn’t talk our way inside, I did snap this from a platform atop the submerged Convention Center across the way:

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From what the desk guy told us, the interior was undergoing some work and was closed to the public. They could still hold events in there, however… he mentioned something about wrestling. No idea. Hopefully, next time I’m in town I’ll be able to make an appointment to recreate the interior shot featured here.

According to the booklet, the Civic Auditorium went up for $15,000,000 in 1922, which converts to $220,997,930 today, which is absolutely insane. The packet described it as “the finest and most serviceable municipal auditorium in this country…[with] acoustics [that] have been declared perfect.” Additionally, it describes a $100,000 pipe organ ($1.7 Million today) with over 10,000 pipes and 150 direct speaking stops. I’m not an expert on pipe organs, but that sounds massive. Here are a couple of shots I took around the lobby:


If you’re from any of these locations and have any good stories, pictures, or links to share, leave a comment! If you haven’t spent any time in any of these cities, make it a point to check them out, even if it’s just for the opportunity to live más in an old department store building.

Speaking of Cleveland department stores, we paid a visit to the house from A Christmas Story, which I will hopefully get a chance to write about soon. The visit couldn’t have come at a better time, since I will be introducing film geography to two of my classes in the next few weeks. What a perfect case study.

Anyway, have a great week, everyone.

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Checking in Again with the Farragut Hotel

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A little over a year ago, I joined Knox Heritage so I could attend an open house of the under-extreme-renovation-at-the-time Farragut Hotel building in downtown Knoxville. I hadn’t been able to track down any of the hotel’s official records from 1938 and 1940, the two occasions I have evidence to believe that Ben Irving stayed there. The work that the contractors and development company had been doing, even at that point, was pretty astounding.

A few Fridays back, many of us had the rare opportunity to do another walk-through. It was impressive how much progress had been made. One of my favorite points that owner Rick Dover mentioned was that, although they were building a full kitchen for a morning breakfast buffet, the new Farragut would not have an in-house restaurant. There are too many great restaurants within walking distance, and they were encouraging guests to actually get to know the city around the hotel – a sentiment I can get behind. Here are some photos from the visit.

 

The building’s official re-opening as the Hyatt Place at the Historic Farragut Hotel is slated to be weeks away, which means that workers are scrambling to get all the holes filled and everything else in working order as I type this. The Knoxville News-Sentinel interviewed the new General Manager (who moved his family from Austin to come and run the show) and gave a pretty good bullet-point history of the building on their site here.

Ben Irving Visits Historic Westwood Tomorrow (9/15) at Noon

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I’ll be bringing my presentation about the life and somewhat-unintentional legacy of Ben Irving (and our collective digital heritage) to Knox Heritage tomorrow for their ‘Lost & Found Luncheon’ series. This will be my first time presenting about Irving in Knoxville since I presented a (heavily truncated) version of the talk at Pecha Kucha last November, and my first time presenting the full version since Western MA last Thanksgiving. I’m very excited to bring this to Historic Westwood.

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More info on the event is available at their website, which I’ll paste below. You can also RSVP to the Facebook event, which I found just now.

Lunch is available on a first-come, first-served basis at 11:30 a.m. The talk will begin promptly at noon. Please RSVP to Hollie Cook at hcook@knoxheritage.org or at 865-523-8008. FREE. ALL ARE WELCOME.

California Excursion Part IV: Extra Words on Long Beach

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I wrote this about three weeks ago and somehow forgot to publish it. It began as an extra chunk to Part III of my LA writings, but I separated it into its own entry because, like I write below, Long Beach deserves to be so much more than just a footnote to LA. Enjoy! More updates this week on my Fall and Spring teaching schedule. – Ty

It’s difficult for me to write about Los Angeles without abbreviating it as LA/LB, because for most of this decade, Long Beach has felt like my Western home rather than the juggernaut dwarfing it from up the 405 and 710. Despite one legendary Long Beach poet’s references to “so much drama in the LBC,” the city’s actually a subdued counterpart to Los Angeles. If Long Beach were located anywhere outside of LA’s orbit, it would be considered a major city and maybe even have its own NBA team (seeing as how Anaheim has an MLB team and an NHL team with about 200,000 fewer people). All that being said, anyone who’s spent a significant amount of time in Long Beach is reticent to consider it as part of Los Angeles. “Greater Los Angeles,” perhaps, mostly because the red blotch in so many atlases I grew up reading enveloped both cities and the Metro Blue Line does connect the two efficiently (or, as efficiently as possible… you try to get from Downtown Long Beach to Downtown Los Angeles in under an hour for the grand total of $1.50).

So, whenever I told anyone where I was the other week, I said “LA/LB,” because I was spending quality time in both cities and taking advantage of what they respectively had to offer. Los Angeles has taco trucks and delicious street dog stands on every corner, Amoeba Records, the Hollywood Bowl, not to mention Western epicenters of North American comedy, film and theater. Long Beach has a better bus system, fewer taco trucks (that are still delicious), Fingerprints Records and Cafe, the biggest port in North America, and the single most beautiful urban place to see a sunset (I lived off of 4th Street for a year and it never got an iota less wonderful).

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Long Beach has gone a long way over the past two generations to establish its identity. Before World War II, it was viewed by outsiders (and many insiders) as a weekend getaway for Los Angeles’ swelling petite bourgeoisie. At least until the city erected a massive breakwater (which may very well come down soon depending on the results of an Army Corps of Engineers study), it resembled other blown-out mid-Century party harbors like Ocean City, Coney Island, and (shudder) Atlantic City. Of course, this depiction of the city belied the growing indigenous population (not to mention the actual indigenous population of Gabrielino Indians). The Long Beach items from the Ben Irving postcard collection, particularly this one above, shows off how the city prided itself back during Wartime. Irving sent this one home to my grandmother in Brooklyn on August 16, 1940. You can just see the Pike off in the back left of this image, Long Beach’s response to the Santa Monica pier, which had been devised around the turn of the century as a way to disguise sewage dumping but quickly turned into a fishing and amusement pier (more detailed history here).

The Pike was, for generations, an amusement park that stuck out into Long Beach’s own chunk of the Pacific, nestled next to the port and to the sea of oil refineries. Today, The Pike is perhaps better known to young Long Beach as a restaurant and bar near 4th and Cherry where DJs spin tunes by Social Distortion (for whom the owner Chris Reece, in the hat, used to play drums), burlesque troupes perform, and Hot Rod lovers converge. The area where the Pike pier sat has become a weird simulacrum that’s still tourist-friendly but filled with a convention center, a P. F. Changs, and a walkway decorated with lights that make it feel like the ghost of the roller coaster from last century. When I lived there, I barely ever went down there, other than to occasionally catch special events at the movie theater.

Anyway, between the EmoGeo conference and quick trips back and forth to LA, I didn’t have the chance to re-frame any of the Ben Irving Long Beach postcards. That was no excuse to omit some personal/professional reflection on the city, though, because I miss it an awful lot these days.

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Bret, me, Abel. An impromptu reunion of The Casual Geographer at The Pike Bar in Long Beach in June. We took about 15 of these, most of them blurry.