Transmissions from Down Under (Week One)

Sydney

Sydney at night is something to behold.

Greetings from Australia! I survived my first 15-hour flight with minimal sleep deprivation. A colleague warned me that I’m not in the clear yet, though, so I’ll be cautious. I’m taking advantage of a cold, miserable Sunday night in Ultimo to work on my presentations for this week, which will be taking place on Tuesday at Macquarie University in Sydney’s northern suburbs and on Thursday at Australia National University in Canberra.

Let’s go to the tape:

Announcement Seminar Tyler Sonnichsen


The Official IASPM Program is available now! My session is Thursday at 2pm (see p.56).

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More updates as I have time and reasonable access to WiFi. I’m the meantime, I’ll be trawling some of Sydney’s finest record shops and enjoying its nearly overwhelming amount of delicious Asian street food (in fully licensed restaurants, as they foreground in their ads). Here is a photo I took yesterday afternoon in the moment it hit me that I was, indeed, in Australia:

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The Birds (1963; dir. Alfred Hitchcock) remake nobody wanted. To be fair, that describes most remakes.

 

 

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Down Under Summer 2019: Macquarie University (Sydney), IASPM (Canberra), IAG (Hobart), and More

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Rand McNally is really off the mark in the Simpsons Universe (see Borneo). I guess we shouldn’t expect much from a place where hamburgers eat people.

For the first time since 2016, I’ll be heading out of the country on academic business. This time, as I mentioned previously, I’m heading to the opposite side of the globe (ostensibly). I can’t wait to see the wonderful cities, meet the wonderful people, swim the wonderful waters, browse the wonderful record shops, and pet a wonderful koala. If you’re in any of these places when I am (see below), please get in touch.

As of now, I have three presentations scheduled.  I’m also planning stops in Cairns, Brisbane, and Melbourne, though I haven’t confirmed any talks or meetings yet. I will do my best to update this post, or post something new, should any details change.


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TUESDAY, JUNE 25 – SYDNEY, NSW
Macquarie University
“Music Video, Sense of Place, and the Symbolic Gentrification of Memory”
GeoPlan Seminar Series, W3A 501 Macquarie University
12pm – 1pm

Thank you to Drs. Claudio Minca and Maartje Roelofsen for inviting me to present some of my new research directions at their fine institution, and thank you to Dr. Chris Gibson for connecting me with them. This will be my first colloquium talk outside of the United States. PROGRAM HERE: Announcement Seminar Tyler Sonnichsen


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THURSDAY, JUNE 27 – CANBERRA, ACT
International Association for the Study of Popular Music (IASPM) Annual Meeting
4:30pm: “Violence, Memory, and Qualitative Research in Punk History”
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This will be my first time attending an IASPM meeting, and I look forward to discussing some of my findings from the research that culminated in Capitals of Punk. I’m also grateful to be presenting at the same conference with my friend and UTK colleague Nathan Fleshner. Naturally, we’re scheduled at the same time. This was the first conference I was accepted to in Oz, and it got the wheels moving for this entire trip.


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THURSDAY, JULY 11 – HOBART, TAS
Institute of Australian Geographers (IAG) Annual Meeting 
12:40pm: “Music Videos, Emotional Geography, and Pedagogy”
New & Emerging Research in Cultural Geography

Once again, I need to thank Joshua Pitt from Palgrave for calling my attention to this meeting, as well as the helpful and supportive IAG staff who encouraged me to apply (insisting that, yes, they do welcome geographers from all over the globe, especially North America). It’s a special treat to be able to present my newer research on Tasmania! Everyone who knows both me and Australia has told me I’ll really appreciate Hobart, which makes me even more excited.


I will have periodic access to WiFi, but I will do my best to keep in touch with those who reach out. See you all on the other side.

Australia

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– “Bleedin’ Yanks won’t stop sending geographers down!” “Ahhh, yer always’ complainin!” (Science Magazine)

Surprise! I’m heading down under this summer (/their winter). This will be my first time in the Southern Hemisphere, which I’m almost ashamed to admit. I believe the closest I’ve come was Trinidad in 2016, which was truly one of the best vacations I mean conferences I’ve ever attended. Certain elements of my time in Australia are still in the final planning phases, but I’m incredibly excited.

I’ll post some details soon about where and when I’ll be presenting research, exploring, buying records, playing Knifey Spoony, and more. But in the meantime, let’s all join in singing the Australian National Anthem.

Take it away, Grant.

AAG DC Punk Walking Tour [Photos]

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Stop One on the Ellington Bridge, 04.06.19 (DC Punk Walking Tour Photo by Macià Blázquez Salom)

Better late than never, as promised, here are some additional photos from AAG DC, taken and shared with me by several generous walking tour participants.


IAN MACKAYE Q&A (FRIDAY 04/05/19)

As I posted about a couple weeks ago, I hosted a Q&A with Ian MacKaye at the Wardman Park Hotel on Friday afternoon. The full audio of that conversation, along with some photos taken by Josh Pitt of Palgrave and Emily Fekete of the AAG, are available on that previous entry.


D.C. Punk Walking Tour (Saturday 04/06/19)

As I mentioned last month in a post leading up to the meeting, the first (and probably only) AAG DC Punk walking tour got a shocking amount of interest. I wound up taking a good handful of folks who registered at the last minute on-site after the inevitable few registrants dropped out. I didn’t get a proper headcount when we set off from the hotel, but the photos below should be a good indication.

STOP ONE: THE DUKE ELLINGTON BRIDGE

I look like I’m proselytizing, and in a way, I am. I took a chance to talk about the role DC’s physical geography played in events that punctuated punk history like the late-80’s percussion protests at the South African Embassy. Standing on the bridge named after the man gave us a chance to give Duke some love, too, being as how he’s easily in the conversation about the most vital American musicians of the 20th century. The way he wrote short, punchy songs so prolifically and so well invariably laid the early groundwork for rock n’ roll, and what was punk rock except a return to rock n’ roll’s roots?

STOP TWO: 1929 CALVERT ST, NW

While I was trying to recall the bands Ian MacKaye told me were on the bill for Minor Threat’s first show in this house, an older gentleman stepped out onto the porch of the house next door. He apologized for interrupting, and I said no worries and asked him how long he’d been living there. “1980,” he said. He verified the story I was relating, citing the great parties his neighbors at 1929 would throw back in the day. He also said the house had sold for $2,000,000, which was more than I recalled reading. Given the turnover in that neighborhood over the past few decades, it was an amazing stroke of luck.

STOP THREE: THE ORIGINAL MADAM’S ORGAN (2318 18TH ST NW)

Once a Yippie watering hole for Corcoran Art students and more recently the home of Crooked Beat Records (when I moved to DC in 2005), the building that built harDCore currently houses an Insomnia Cookie shop upstairs and a grow shop downstairs (keeping in the spirit of DIY, I suppose). Neither business could withstand a crush of almost 30 people and the grow shop, per DC law, needed to check every entrant’s ID, so I stood on the staircase to Insomnia to deliver my spiel.

STOP FOUR: SMASH! RECORDS (2314 18TH ST NW)

Immediately after our stop at the original Madam’s Organ house, we crammed into Smash! Records next door. I introduced the group to my old friend Matt Moffatt, who gave the group a brief history of the shop, which started in Georgetown in a different era and moved to Adams-Morgan in the mid-2000’s.

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Matt Moffatt talks with the AAG DC Punk Walking Tour at Smash! Records, Washington, DC 04.06.19 (Tyler Sonnichsen Photo)

STOP FIVE: DAHLAK (RIP; 1771 U St. NW)

After Smash!, we took a break to get empanadas and shop, reconvening to head down to the star-intersection at 18th and Florida and U to discuss the role of immigrants in the growth of underground music in DC. Two sites of interest there were the (now closed) Eritrean restaurant Dahlak, where I saw friends perform a number of times in the late 2000’s, as well as the neighboring building, now a young-professionals’ gym, which regularly hosted Go Go shows in the 80’s as an African-owned club. Two very pleasant English women on the tour, who admitted to me in the end they went in knowing very little about punk, told me how much they liked how I incorporated migration into the tour. It was one of the best compliments I received all day. DC Punk, just like so many pieces of any city’s “real” culture, owes so much to immigrants who opened up their restaurants for live entertainment. The city’s punk scene has included so many sons and daughters of immigrants, as well.

The next stretch was the longest walk of the tour, a haul up Ontario Street back to Columbia Road. The sun was so powerful and the heat was so strong, I worried that half of the tour would drop off, but everyone who was with us at the bottom of the hill was in great spirits when we reached the top for:

STOP SIX: ONTARIO THEATER (1700 COLUMBIA RD NW)

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The AAG DC Punk Walking Tour stops by the site of the Ontario Theater, now the Banfield Pet Hospital. (Photo by Marton Berki)

Unlike anywhere else we stopped, the building that once housed the Ontario Theater (the predecessor, at least in the Seth Hurwitz sense, to the 9:30 Club) actually had a historical marker of sorts. As this photo by Martón Berki details, U2 once played there in 1981, right on the cusp of breaking. Prior to it’s period as a music club, the Ontario had been a movie theater kept open through the 1970’s by the local Central American population. Further history of the building is available on Cinema Treasures and Streets of Washington

 

THE FINAL STOP: MT. DESERT ISLAND ICE CREAM (3110 MT. PLEASANT ST NW

The end of the tour was a real treat, literally and figuratively. Josh Pitt, my good friend and editor at Palgrave, treated the whole tour to ice cream. Given the heat, this generosity could not have come at a better time. It just so happened that Mt. Desert Island was not only a couple blocks away from the site of the legendary Wilson Center, but it’s also owned and operated by Melissa Quinley and Brian Lowit, a pair of great Dischord Records vets. Brian’s own label, Lovitt, released some solid gold by the likes of Frodus, Engine Down, Sleepytime Trio, and many more. Melissa and Brian came outside to talk about the finer points of underground music, ice cream, and how community ties those two together.

As my delicious ice cream was melting and running down my hand, I spoke for a couple more minutes to the group outside, thanked them, and we headed back to the hotel. It seemed like everybody enjoyed themselves and learned a lot. I’m grateful it all went off catastrophe-free.


Thanks again to everyone who took part in the DC Punk Walking Tour, and special thanks to everyone who shared the above pictures. You may notice that a bulk of them were taken by the multi-talented and immensely supportive Steven Donnelly, from Belfast. Keep tabs on him and his work via Instagram at mralligator7.

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Steven Donnelly Self-Portrait in Smash! Records, Washington, DC 04.06.19

A Conversation with Ian MacKaye at AAG DC [AUDIO]

“[Geographers] are good people. They’re really f–kin’ good people.”

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Ian MacKaye and Tyler Sonnichsen at ‘A Conversation with Ian MacKaye,’ presented by the AAG Media and Communication Geography Specialty Group. Washington, DC, April 5, 2019. Photo by Emily Fekete.

My Conversation with Ian MacKaye

Audience Questions for Ian

One of the highlights of this year’s AAG meeting came on Friday afternoon, when punk legend Ian MacKaye stopped by the Wardman Park hotel to share some stories about his career as an underground musician and touring artist (Fugazi, Minor Threat, The Evens, and more), as well as Dischord Records captain. As numerous participants reflected afterward, it could easily have gone on for another hour. Though it was not intentional, the bulk of the conversation focused on how much geography can learn from the network and influence of early harDCore, which we realized worked well for the Media and Communication Geography group’s focus.

This was such a privilege. Special thanks to Emily Fekete (Chair of the MACGSG and AAG mainstay) for helping coordinate this event, as well as to Joshua Pitt (Palgrave MacMillan) for recording the session. Joshua, Steven Donnelly, and other participants took some great photos, as well as of the DC Punk walking tour on Saturday, which I’ll post here soon.

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AAG 2019: Ian MacKaye Q&A, DC Punk Walking Tour, and the First Ever Academic Talk on Florida Man

The long wait is almost over: AAG DC starts this week! Because the meeting’s in the AAG’s (and my former, for a while) home base this year, I’ve been working to arrange a few special events that I’ll be announcing here, on twitter, and via the AAG’s social media as well.  It’s going to be a busy but good time. You can find me at one of the following three events (or of course by just hitting me up).

FRIDAY: A CONVERSATION WITH IAN MACKAYE

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Washington 1, Marriott, Exhibition Level
AAG Session Page – Event Page

I’m excited to announce that I’ll be moderating a discussion with Ian MacKaye for the keynote session of the Media and Communication Geography Specialty Group. Thank you to Ian for his interest as well as to my friend Emily Fekete at the AAG for making this happen. We’ll be talking about the relationship between the city and punk history, as well as the history of Dischord Records and his own musical career (Minor Threat, Fugazi, Embrace, The Evens, and more). Get there early to get a good seat!


SATURDAY 4/6: DC PUNK WALKING TOUR [SOLD OUT]

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Marriott 24th St Entrance

I’ll be honest: I wrote a long, fun draft entry to publish closer to the event for a last-minute push in case it didn’t fill up, but it did. I’m grateful and humbled that this tour has generated as much interest as it has. I’m sorry if you missed a chance to register for a spot, but as with any walking tour, there’s a reasonable chance for a few no-shows. If any spots do open up, I’ll make sure to announce it on twitter and contact those registered.

For now, here is the gist of what I wrote originally. I’ll wait to divulge more details until we’re closer to the event, but there will be surprises, some brought to you by our good friends at Palgrave Publishing, and others brought to you by our tour sites.  You’re probably wondering, “AAG members offer plenty of great walking tours every year; why should I, a person of [indeterminate] interest in punk rock, be looking forward to this one?”

  1. You’ll have time built-in to enjoy some of the best Falafel, Empanadas, or food of your choice that DC has to offer. 
    We’ll be walking through a gastronomic epicenter toward the beginning of our tour that includes a couple of places I absolutely cannot miss when I’m in town. I’m building in some free time for eating and shopping, so you don’t need to eat a gigantic brunch beforehand. But if you do, you’ll have more time to focus on…
  2. Shopping for records, clothes, and other merchandise. 
    Get your souvenir shopping out of the way while learning about DC culture. Why spend your money on some Washington Monument snow globe when you could have something from a boutique where locals actually hang out? Grab that Fugazi record for your turntable or that photo book for your coffee table.
  3. You’ll meet luminaries of the DC punk scene. 
    Any stroll through Adams-Morgan and Mount Pleasant on a Saturday afternoon affords you plenty of chances to bump into somebody who played (and still plays) a key role in the DC punk story. For this tour, I’ve been coordinating cameos from some of my favorite people I knew from the scene when I lived there as well as some great folks I met while working on the book.
  4. You’ll get those steps in.
    Many landmark sites in harDCore history are right down the street from the conference hotel in Adams-Morgan and around the corner in Mount Pleasant. In other words, no hopping on and off of a shuttle, dealing with traffic, or battling tourists on the Metro. That being said, if you have a disability and require transport assistance, please notify us in your registration. From what I remember, all of the key sites we’ll be visiting (and most lunch/shopping options) are accessible.
  5. I will be leading it.
    Not that I would be the biggest selling point, but I’d be grateful to have you along for my first AAG walking tour, in a neighborhood that was so important to me when I lived there (and still is).  Over my time there, I heard so many stories and have so many great memories (not included in Capitals of Punk) I look forward to sharing.

Let me know if you have any questions [sonicgeography at gmail]. We will take off from Marriott Wardman Park’s 24th St Entrance on Saturday 4/6 at Noon. See you there!


SUNDAY: LIGHTNING TALK ON FLORIDA MAN

2f83:55 – 5:05 PM
Contemporary Issues in Human Geography
Washington 6, Marriott, Exhibition Level

You read that right: I’m engaging with some  research on the Florida Man. This is a topic that, as a cultural geographer with a soft spot for Florida (that I catch heat for, no pun intended), I’ve been interested in for some time. It seems that every six months or so, the internet breathes new life into this apocryphal character. Recently, a meme went around imploring people to google “Florida Man” and their birthday. Much of my research focuses on circulation, and internet-mediated phenomena like these work wonders(?) to perpetuate (inter)national perspectives on what makes Florida assume the mantel of “our weirdest state.”

I understand many of you may have skipped town by Sunday afternoon, but this session looks like it will be amazing: talks on Kingston, Cincinnati, the UN Declaration on the Rights of Indigenous People (UNDRIP), Climate security, and Uttarakhand.


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Anyway, see you in DC. If you’re not going, you’ll be missed and I’ll be happy to give you all a rundown of the highlights from this year’s meeting on this site sometime after I get back to Knoxville. I’m still reeling as I write this from a great time in Memphis at the Balancing the Mix conference, in fact. Thanks to Mark Duffett and Amanda Nell Edgar for putting it together. If I have time this week (that’s a big ‘if’), I’ll post an update or two about the conference as well as the West Tennessee chapter of the Ben Irving Postcard Project.

This Saturday: Balancing the Mix in Memphis

Memphis! I’m coming back to your city for the first time since 2011, when I took this iconic photo en route to California (below). What makes this even more amazing is that I’ve lived in Tennessee since 2013 and still haven’t been any further west (within the state) than Nashville. It’s a long state.

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I’m excited to debut some new work on MTV and the Symbolic Gentrification of the Music Video. If you’re in Memphis and/or at the conference on Saturday, it will be meeting at the Fogelman Center at the University of Memphis in Room 215 at 1:35 PM. The topic of the session will be “Music and Erasure.” I momentarily did a double-take when I saw that title, before realizing nobody was doing anything about the works of Vince n’ Andy. Looks like I’ll have to get on that.

Balancing the Mix is a conference about the convergence of music and activism that came together under the aegis of Mark Duffett and Amanda Nell Edgar. This will be my first time at a music conference that isn’t SEMSEC, and I’m looking forward to meeting everyone.