Your Sonic Sunday: May 31st (Ruby Pearl Diamond and Chris Rusk)

This week’s Sonic Sunday is brought to you by THE INTERNET. Well, specifically, the Florida Memory portion of the internet. I was looking for more information about the Hotel Floridan in Tampa – I did find this cool 1920 photo of the lobby – and wound up searching left and right for information on a Jewish dowager from Tallahassee named Ruby Pearl Diamond after this photo came up in the results. I don’t know who coded their search algorithm, but that’s where I found it.

I quickly found this article about Ruby, which runs through her (very interesting) life story, which linked the old world, Southern Jewish tradition with the post-War progressive Southern Jewish tradition (there is such a thing).

One point that jumped out to me was a passing mention of how her older brother Sydney, a decorated Tally attorney, “gained a reputation for collecting risqué literature and jazz records.” Well, clutch my pearls! The first question that sprang to mind was where that piece of trivia came from, so I wrote the author, Josh Parshall of the Institute of Southern Jewish Life. I’ll share any revelations as I receive them.


That’s all I got this week, other than the very cool news that Chris Rusk, an old acquaintance of mine from Knoxville (seen here, in full effect) was the guest on this week’s episode of Mike Watt’s looooooong-running podcast The Watt from Pedro Show.


Now if you’ll excuse me, I need to get back to my long-overdue reading of Gloria Jahoda’s The Other Florida and revisit my favorite piece of music ever to emerge from Tallahassee. Long live Little League!*

*They broke up in 2012.

 

Lyrics, Letters and the Forgotten Lives of Ben Irving

New Picture

Click to watch at PechaKucha.org

Pecha Kucha Knoxville recently uploaded the PowerPoint and Audio from my November presentation about my great-grandfather. This was a 6 minute, 40 second truncation of archival work I’d been doing about over a thousand postcards he sent from the road in the 1930s and 40s. It is an ongoing project that has been as rewarding as it has been educational and surprising regarding both my family history and a different era in American cultural life.

Here is my respectful sales pitch: If you enjoy what you see above, let me know. I am always happy to bring this lecture (in any reasonable length) to present at your company, school, civic organization, for any interested parties. Feel free to contact me at sonicgeography [at] gmail. I presented an hour-long version of this talk, which included a handful of his original song lyrics, more news clippings, and personal history at the Kimball Farms Lecture series in Lenox, MA in November. I have an audio recording available for anybody interested in the extended version.

Anyway, I’ve hinted at this postcard collection before, but until now I haven’t been completely comfortable with sharing. But now that the cat’s out of the bag and I did this presentation for over a thousand people in Knoxville, I’ll be a bit more forthcoming with Ben Irving’s story.

I assume you’ll watch the video-slideshow at the link above (WordPress doesn’t allow embedding of iframe codes; apologies), but the long and short of it was that my great-grandfather, who went by his stage name Ben Irving in most of his professional life, was a prolific musician on the Hartford jazz circuit of the 1920s. When the Depression hit, he moved his young family (including my grandmother, then a toddler) to Brooklyn and hit the road as a sales representative. In his time, Irving got to see so much more of America than most anybody in his position, including parts of the country that were still mired in dark history and summarily unfriendly to Jews. Assuming that his wife and daughter would probably never see any of these places, he sent home multiple postcards from almost every city he visited.

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A few years ago, when I inherited the postcards, I began bringing selections with me whenever I traveled to particular cities in North America. I began to re-pose and re-create the shots, better terms as ‘rephotography’ (see Kalin 2013 for a great overview of this). I cataloged these attempts in a handful of entries (including in FloridaNew Orleans, Mobile, and Chattanooga) all of which are tagged with ‘Re-Photography’ and I included in my PechaKucha talk. I recently created a new tag (‘Ben Irving’) for the posts I make about my ongoing work focused on (or directly inspired by) my great-grandfather. Stay tuned for a pair of new entries that follow his postcards (including an overdue AAG 2017 retrospective), coming very soon.

 

Returning to Florida Next Week

I'm not actually staying in this hotel. But I may need to go check it out.

I’m not actually staying in this hotel.  I may need to go check it out, though.

It’s hard to believe that the AAG Conference is almost already here. I’m looking forward to seeing some old friends and making new ones over a backdrop of near-constant happy hours and pontificating.

I’m working on posting some background here about the research I will be presenting in Tampa next week. In case I’m not able to (and you’re in the Tampa Bay area), here’s where you can see me. Copied directly from the AAG Program.

2569
Geographies of Media 3: Music Geography (Sponsored by Cultural Geography Specialty Group, Communication Geography Specialty Group)
Room: Meeting Room 2, Marriott, Second Floor (Paper Session)
ORGANIZER(S): John Finn, Christopher Newport University; Joseph Palis, North Carolina State University
CHAIR(S): Tyler Sonnichsen, University of Tennessee

2:40 Tyler Sonnichsen*, University of Tennessee,
‘The Boston I Knew is Lying on the Ground’: Reinterpreting Boston Landscapes Through Song.
3:00 Rex Rowley*, Illinois State University,
Evoking Las Vegas Place Particularity and Typicality through Popular Music.
3:20 Ola Johansson*, University of Pittsburgh at Johnstown,
Lost in Translation? The Role of Place in Swedish and American Music Media.
3:40 Deborah J. Thompson, Ph.D.*, Berea College,
Performing Gender in Eastern Kentucky’s Old Time Music Community. .