After spending almost two years trying to make it a reality, I finally got together (separately) with Frank Roche, host of the wonderful podcast The Postcardist to talk about my research, my family, Florida, and the Ben Irving Postcard Project. I’ll include a handful of links to listen to the episode below, but I have borrowed and posted the episode file here. Enjoy!
This week’s Sonic Sunday is brought to you by THE INTERNET. Well, specifically, the Florida Memory portion of the internet. I was looking for more information about the Hotel Floridan in Tampa – I did find this cool 1920 photo of the lobby – and wound up searching left and right for information on a Jewish dowager from Tallahassee named Ruby Pearl Diamond after this photo came up in the results. I don’t know who coded their search algorithm, but that’s where I found it.
I quickly found this article about Ruby, which runs through her (very interesting) life story, which linked the old world, Southern Jewish tradition with the post-War progressive Southern Jewish tradition (there is such a thing).
One point that jumped out to me was a passing mention of how her older brother Sydney, a decorated Tally attorney, “gained a reputation for collecting risqué literature and jazz records.” Well, clutch my pearls! The first question that sprang to mind was where that piece of trivia came from, so I wrote the author, Josh Parshall of the Institute of Southern Jewish Life. I’ll share any revelations as I receive them.
That’s all I got this week, other than the very cool news that Chris Rusk, an old acquaintance of mine from Knoxville (seen here, in full effect) was the guest on this week’s episode of Mike Watt’s looooooong-running podcast The Watt from Pedro Show.
Now if you’ll excuse me, I need to get back to my long-overdue reading of Gloria Jahoda’s The Other Florida and revisit my favorite piece of music ever to emerge from Tallahassee. Long live Little League!*
*They broke up in 2012.
For those of you who were not connected to me during my time at CSU-Long Beach, my friends Bret Hartt, Abel Santana, and I co-founded a podcast and weekly radio show called “The Casual Geographer.” We produced over thirty episodes, most of which were posted at our original blogspot site here (the audio links no longer work, but the descriptions and graphics are still there, and if I may say so, delightful). Each episode tackled a different subject and explained how geography enveloped said subject. It lasted most of the two years I spent in Long Beach, and we had a lot of fun.
This week, in a seminar on tourism geography, my colleagues and I discussed a wonderful article by Duncan Light on the commodification and consumption of place names. I found it interesting, as a musically-inclined geographer, how he used examples such as AC/DC (seriously, why is there no lightning bolt key?) Street in Melbourne as ways in which cities and regions place and focus what John Urry legendarily called “the tourist gaze.” In particular, Light (2014, 145*) wrote:
…It is the marker – the signage – that is important in affirming and validating the visit. As such the place-name signage (the most commonplace and banal of objects) becomes the principal focus of tourist interest and the setting for a range of activities and performances.
Unsurprisingly, my mind immediately leaped to the corner of Fountain and Fairfax, where I drove by upon moving to the Los Angeles area, motivated by The Afghan Whigs’ dramatic 1993 song of that title**. My mind then immediately jumped to Episode 3 of The Casual Geographer, where we discussed whatever background information we could find on a handful of songs named after street intersections. These included “53rd and 3rd” (NYC) by the Ramones, “Fountain and Fairfax” (Los Angeles) by the Afghan Whigs, “Queen and John” (Toronto) by Good Riddance, “9th and Hennepin” (Minneapolis) by Tom Waits, and “13th and Euclid” (DC) by the Dismemberment Plan. Thanks to Russ Rankin for his gracious email reply telling us the story of “Queen and John” (which I read during the episode), as well as Travis Morrison for his brief explanation of what happened at a gas station near 13th and Euclid (as well as giving me the go-ahead to use “The Face of the Earth” as a theme song for the show).
I’ll gradually work on wrenching more of these recordings from my archives. For now, have a listen to this episode and I hope you enjoy it. This was an early episode, and the production quality improved from here, I promise.
* Light, D. (2014). Tourism and toponymy: commodifying and consuming place names. Tourism Geographies, 16(1), 141-156.
** If you’re at all familiar with the Afghan Whigs or the greater spate of work by Greg Dulli, using the word “dramatic” to describe any of their songs could seem pretty redundant, I realize.
As was mentioned on Monday, Teresa “Tree” Anderson-Sharma joined me and Bret on our radio show to talk about just what we mean when we say “imagined geographies” pertaining to Hill Valley, CA and explain more about our project. What’s remarkable was just how much geographic material on the Back to the Future trilogy we didn’t even have time to discuss. Here is the hour show for your listening pleasure. Forgive the freewheeling format; we included some Huey Lewis & the News, if it helps our cause.
More updates soon about the Los Angeles AAG Meeting and other work in the pipeline.