One of the (dis)advantages of focusing my music research in a juggernaut of a tourist trap city like Washington, DC has been watching post-punk music seep through the cracks in the collective imaginary of place. DC (like Paris, my other city of focus) doesn’t need to lean on music to attract visitors, so on the rare instances when it includes music in the conversation, it’s noteworthy.
I was thinking about this today as I started hacking away at the summer writing process when this CityLab article came through on my twitter feed. Few (if any) post-punk bands have encapsulated “Sheffield” better than Pulp, not only because Jarvis Cocker started the band in 1978 during the “big bang” of the post-punk era in the UK. Geographers like Philip Long (2014) have placed Cocker’s music front-and-center in discussions about collective identity of that city, and now the city’s transit authority are literally inscribing his voice into their urban infrastructure. They are inserting Jarvis into the quotidian machinations of Sheffield, regardless of whether those riding the tram are his fans.
This whole thing seems like both 1) a city retroactively owning one of her most talented and influential sons as well as 2) a statement about the value of the music that would eventually evolve into the easily collectivized and nationally homogenized Britpop of the 90’s (which would catapult Pulp into international fame). This genre and scene were a bit slower to gain officially-sanctioned civic immortality than the New Wave of British Heavy Metal (Long mentions that the Sheffield Public Library has published a walking tour about Def Leppard; also pretty cool), but two decades isn’t really that brutal of a lag. It doesn’t seem like Jarvis was ever in it for the transit voice-over career.
At any rate, these are the little things that earn a quality mention in the dissertation.
Long, Philip. “Popular Music, Psychogeography, Place Identity and Tourism: The Case of Sheffield.” Tourist Studies 14.1 (2014): 48-65.
Places mentioned in Pulp Songs Wiki that I just found whilegoogling “Stanhope Rd”:
During some last-minute fact-checking, I discovered that Jarvis’ estranged father Mac Cocker, a radio DJ in Australia for the past 3 decades, passed away on Friday.