I recently found a couple of photos I snapped in 2015 at the Tirso de Molina anarchist market, which I mentioned in my prior post about Crass’ 1981 masterpiece Penis Envy. I actually updated that post with one of these pictures, but I figured this would be as good an excuse as any to share these here. I did find some 2004 photos from the nearby Rastro, but perhaps I was too occupied digging through bootleg CDs to take pictures of the punx by the Metro.
Happy Sunday! I have a few music documentaries to recommend (which are streaming, for free, on YouTube as of this posting), but first a couple of announcements about things near and dear to me.
First, per Dr. Matt Grimes, the Punk Scholars Network website is up and updated! For those keeping track, I published an article in the connected journal Punk & Post-Punk a couple years ago ahead of Capitals of Punk, and I’m looking forward to collaborating with this consortium more in the future. For now, take a gander at what they’ve been up to lately, and who makes up their team.
Second, while working on the Sonic Geography Song Challenge, I’ve inadvertently discovered that Mark Mulcahy put the entire Miracle Legion discography up on Bandcamp (the second-best website on the internet, behind Cinema Treasures). For my fellow 90’s kids who remember the beautiful show The Adventures of Pete & Pete, Polaris were, ostensibly, a massaged iteration of Miracle Legion. Chris Viscardi and Will McRobb have said that Miracle Legion’s 1985 EP The Backyard directly informed the aesthetic of the show, and it makes perfect sense.
Under the “Hey! Free Viewings!” category: Lance Bangs made this appropriately slow-burn documentary about Slint’s 1991 masterpiece Spiderland, and it’s available to watch here. He does a good job pulling from his own super-fandom of the mystery that surrounded albums like this before the internet, as well as the fascinating little world of Louisville, Kentucky.
Drew Stone has been breaking his back for a long time to not only keep the spirit of New York Hardcore (or as it’s properly pronounce “N’Yuk Hahdcowa”) alive through shows he organizes in Brooklyn, but hosting numerous live-streams with NYHC figures. I caught this one with Lou Koller, the singer of one of my favorite bands Sick of It All, and as I may have said on twitter, it felt like a warm embrace. Stone’s “The NYHC Chronicles” documentary (stream-able here) digs deep into that universe, and I recommend it. Also, somehow, Walter Schriefels does. not. age.
Speaking of hardcore (just a bit further North), every time I have the privilege of introducing someone to Converge’s 2001 masterpiece Jane Doe, I get excited about the record all over again. While traversing the algorithm for those previously mentioned videos, I found this video of Kurt Ballou talking about the album to a class at the Berklee College of Music in the band’s native Boston. As an academic who thinks Jane Doe deserves every bit as much respect as any other piece of critically-coveted “art music” of the past two decades, it’s always gratifying to see Converge getting that kind of institutional validation (not that they need it). Over the past couple of years, I’ve had an epiphany: Converge may be the greatest band in Boston history. Sit on that one, and tell whether you agree that there may be weight to that argument.