On a related note, here is your Song Challenge for August, everybody.
There’s only one rule, and it’s pretty obvious. Download it, share it, hashtag it #NotbyREM, tell all your Gen-X friends (as well as those from other generations), call me a leper, and have a great time. Bonus points to anyone who still picks a song with Peter Buck on it, somehow.
Hey, everybody. I’m taking a few minutes away from the proceedings at SEDAAG (that’s the SouthEastern Division of the Association of American Geographers for anyone keeping track) to give a quick update. If you’re at the conference or happen to be in the neighborhood of the UGA campus, I’ll be presenting my preliminary research at a session I’ll also be chairing at 8:20 am. It will be held in the Georgia Conference Center room TU. My presentation will be entitled “Frank Hatch and Memorialization of Pre-war Boston through Song.” It’s pretty straightforward, explaining how music is used to drive romantic narratives of a city’s “olden days” landscape.
The conference has been great so far; it has been my first SEDAAG conference, so it’s neat to see how the regional conferences operate in light of AAG. Prior to this, I had presented at both CGS (California) and APCG (Pacific Coast), but I had no real frame of reference back then. I’ve had the chance to watch great research presentations about everything from GISc students pushing for the creation of bike lanes in central Georgia to “The Walking Dead” to the governmental intervention of domestic work of African-American women in the South in the 1920s and on and on.
The only disappointing part of the trip so far (other than the most brutal near-freezing rain we drove through all of yesterday to get here) has been that I’ve been hanging out at Wuxtry Records for over an hour and Peter Buck hasn’t asked me to start a band! You lied to me, Athens mythology!
On a serious note, if you ARE in Athens, do stop by the Special Collections Library on campus in case you’ve ever wanted to see the closest thing to an R.E.M./Pylon/B-52’s/Oh-OK museum you’ll find. They have Bill Berry’s “Chronic Town”-era drum kit, and a really fancy clear bass that Mike Mills used to play, not to mention all sorts of ephemera from the time before they were one of the biggest bands in the world.
That’s all for now. I hope everyone is having an excellent November. The end of the semester (and arrival of more frequent/substantive updates) is nigh.