For some reason, I was never notified that the video of my UTK Mic Nite talk last Fall was available online. Because it has been online, for almost a full year. Anyway, here it is, in all its glory. I hope you find it well worth your 7 minutes.
For some reason, I was never notified that the video of my UTK Mic Nite talk last Fall was available online. Because it has been online, for almost a full year. Anyway, here it is, in all its glory. I hope you find it well worth your 7 minutes.
For anybody who is either around the Dow Science Complex on the Central Michigan campus tomorrow (Friday 11/1) or enjoys eating gratis lunch, I’ll be giving a talk at Noon! Join me and my colleagues in DOW 270 to learn about my research, the overlap between Geography and Pop Culture, and see me break down what I mean by Symbolic Gentrification. I look forward to seeing you.
Those details again:
Friday, November 1, 12pm – 1pm
Central Michigan University
Dow Science Complex Room 270
There will be lunch. And cookies, probably.
Sydney at night is something to behold.
Greetings from Australia! I survived my first 15-hour flight with minimal sleep deprivation. A colleague warned me that I’m not in the clear yet, though, so I’ll be cautious. I’m taking advantage of a cold, miserable Sunday night in Ultimo to work on my presentations for this week, which will be taking place on Tuesday at Macquarie University in Sydney’s northern suburbs and on Thursday at Australia National University in Canberra.
Let’s go to the tape:
The Official IASPM Program is available now! My session is Thursday at 2pm (see p.56).
More updates as I have time and reasonable access to WiFi. I’m the meantime, I’ll be trawling some of Sydney’s finest record shops and enjoying its nearly overwhelming amount of delicious Asian street food (in fully licensed restaurants, as they foreground in their ads). Here is a photo I took yesterday afternoon in the moment it hit me that I was, indeed, in Australia:
The Birds (1963; dir. Alfred Hitchcock) remake nobody wanted. To be fair, that describes most remakes.