I was invited to contribute a passage on Ethnographic Research and the Internet in the brand new SAGE Encyclopedia of the Internet (B. Warf, Ed.). It just hit the SAGE online portal this week, and my entry is located on pp. 363-366 in the print edition.
If your institution has library access to the volume (which they should… this is the SAGE Encyclopedia we’re talking about), then you can just search under my name within the book, or find it via direct link here.
Thanks to Dr. Barney Warf for inviting me to contribute, and thanks to Dr. Michael Semen for recommending me to Barney.
I hope everyone is enjoying their summer! I will post some updates on a few projects when I have the chance soon.
Happy 2018! I’m excited to announce I’ve just published a new article in the UK journal Punk and Post-Punk. Read the abstract, order it, or find citation info here. It overviews the geographic history of Paris hardcore, focusing on the three or four years of the mid-1980s when the underground style first attempted circulation in the Ile-de-France region. I based this off of a range of accounts I gathered during my fieldwork in France in 2015 and through follow-up correspondence since then.
As far as I know, this story has never been told formally before, and I’m grateful for this opportunity to give progenitors like Heimat-Los and Kromozom 4 their rightful place in the greater global post-punk timeline. Hopefully somebody who was there at the time can take the baton and publish a more authoritative and comprehensive history of that era someday. In the meantime, there is plenty of great material archived and linked via Euthanasie Records.
Thank you to Russ Bestley and all of his colleagues at this fantastic journal. You can look into the index of Punk & Post-Punk back issues and learn how to submit on the Intellect Ltd. page here.
Just a quick announcement that I have a new article out this week! I wrote a piece about the idea of the vinyl record as a souvenir for the Emerald Publishing journal Arts and the Market. Thanks to the editorial staff for helping me sculpt this one, which originated as a research paper for a seminar on tourism. I drew equally on some older MA thesis research on the marketplace around vinyl as well as some PhD research on the seismic legend around harDCore.
Sonnichsen, T. (2017). Vinyl tourism: records as souvenirs of underground musical landscapes. Arts and the Market 7 (2), 235-248.
You can check out this issue as well as prior issues of Arts and the Market on the Emerald Insight page here. Depending on your institutional access, you may be able to find the HTML or PDF version of the article directly from there. If not, then don’t hesitate to contact me and I can help get you a copy.
Happy December, again. I just received exciting news from my esteemed colleague Ron Kalafsky. This past spring, I TA’d for his class on the Global Economy this last spring, and we conducted something of an experiment with our students. Ron had the idea to use the SWOT (Strengths, Weaknesses, Opportunities, Threats) paradigm that business-minded folks (unlike myself) employ when analyzing whether to invest in a new market. We chose a set of regional, mid-size cities and assigned them throughout the class as a mechanism for teaching geography. The set of essays we received gave us a mountain of material with which to work, but the result of the project was published today in the Journal of Geography.
Per usual with Taylor & Francis, a subscription or University Affiliation is required, but if you’re interested, drop me a line and I’ll make sure you get to read it. I’m glad to have co-authored a piece that hopefully points anybody teaching economic geography in a certain direction. Of course, always grateful to get to work with Dr. Kalafsky, even if he is a Penguins fan. At least his musical and action-movie preferences are all solid.
Not that any of you seemed worried, but the whole flâneur thing is coming around sometime soon, too.