Photoset: Scenes from the Capitals Parade (06.12.18)

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The scene on the National Mall around 9 AM, two hours before the Victory Parade began. 06.12.18

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Lars Eller (in white hat and jersey) with his wife and daughter, talk to coordinators outside of Capital One Arena before getting on a shuttle bus to the parade. 06.12.18

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Alex Ovechkin waits on the front of the shuttle bus outside of the Capital One Arena while Philip Pritchard (white hair) carries the Stanley Cup on board. 06.12.18

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Fans and photographers horde around the shuttle bus bringing Ovechkin, Backstrom, and others to the parade route. 06.12.18

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A young Caps fan (in chair) gets interviewed for a local video project along the parade route before the party begins. 06.12.18

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The East High School Marching Band in the Capitals Victory Parade, 06.12.18

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Phillip Grubauer (1), Tom Wilson (center, with DC flag draped over his shoulder) and Devante Smith-Pelly (behind Wilson, with WWE belt) ride by the African-American Museum at Constitution and 14th NW. 06.12.18

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Slapshot, the Caps’ lovable Eagle mascot, rides by the crowd at 15th and Constitution NW on a dune buggy. You know, like eagles do. 06.12.18

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A statue for the city’s homeless, lying on G St. NW near the Gallery Place Metro entrance.

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The Washington Capitals, DC Love, and One Geographer’s Story

If you only know me through this website, my social media, or a professional organization like the AAG, then you might associate me with musical geography, ethnography, and possibly pedagogy. I’ve used sports extensively in my class curricula, but I think this is the first time that I’ve ever published anything about my personal and geographical relationship with sports. If you know me in person (especially over the past week), you know how big of a hockey fan I am and that I’m a huge fan of the Washington Capitals. I mean, who wouldn’t be? Just look at them.

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via the Bellefontaine Examiner

I spent the last two weeks thinking about what I would write here in case they did, in fact, pull off the impossible and win their organization’s first Stanley Cup. However, I refused to write a single word until it actually happened, even in an unpublished draft. Whenever the Caps came up in conversation and anybody suggested things were looking pretty good, I bit my tongue, sealed my lips, and knocked on whatever wood was within arm’s reach. I even refused to mention the Cup directly on my friend’s sports podcast (much to his chagrin, I’m sure). I’m rarely superstitious, but if I wrote a mammoth spiel about the Capitals, what they’ve meant to me for the past 13 years, the geography lessons we can learn from their role in DC, and then they had somehow managed to blow their lead and lose? I would never live it down. I’m sure (some of) you understand. Now that the Caps are the Stanley Cup Champions (that still gives me chills to write), I can share some thoughts here. Let me set the stage:

Thursday, June 7. 8:15 PM. The Old City, Knoxville, TN. 

“You know, even if they don’t pull it off tonight, it’s really great to get to win it at home,” my friend Todd assured me. It was a nice gesture, but I remained a bundle of nerves, hesitating even to cross the street to watch the first period of Game 5 unfold between the Washington Capitals and Vegas Golden Knights. As far as I was concerned, the Caps could tool around and win the Cup at home some other year. It took the Chicago Blackhawks (my fourth-favorite NHL team) until their third championship this decade to win in front of their hometown faithful at the United Center. But this was a different dilemma; the Caps were my favorite NHL team and had been so (by a long shot) for almost thirteen years, ever since I realized how much I appreciated their hometown. This was their second time in the Stanley Cup Finals (their first since 1998, long before I became a fan), and the first time they were ever one win away from hoisting the hardware. I had been party to hockey fan-glory over the previous decade; I watched the Los Angeles Kings (my second-favorite team) run to two Cups in 2012* and 2014 and the Nashville Predators (my third-favorite) tear through the Western Conference in 2017 before getting stopped by the Pittsburgh Penguins (my 31st-favorite NHL team) in the Finals.

large-washington-capitals-flag-3x5-ft-pure-logo-different-style-flag_640x640Over the past thirteen years, I watched the Capitals rebuild into an Eastern Conference powerhouse that seemed laughably unable to transcend a legacy of failure. Still, I stayed a proud fan, despite these pitfalls. In 2007, the team ditched an ugly color scheme in favor of their now-highly-recognizable red, white, and blue, complete with the iconic “Weagle.” They fired coach Glen Hanlon, hired Bruce Boudreau, and went on a tear in order to make the 2008 playoffs. For the next ten years, they would be a consistent contender with the weight of the world on their shoulders. Every year in the post-season, they would find a new, innovative way in which to crumble. If you’re reading this because another Caps blog brought you here, then I have no need to run through this still-somewhat-stinging history. But if you’re a hockey novice, then expect to be filled in as you read on why I’m sitting down and sharing this story of how I came to love (and repeatedly get burnt by) this team. Until now.


DC Life and a Brief History of my Fandom

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Me in my Nicklas Backstrom shirt at Stonehenge in July 2009. I don’t love many photos of myself, but I love this one. The two most pertinent reasons are because (1) this was featured on On Frozen Blog (a successful Capitals fan site) that summer, and (2) I had seen Spinal Tap play “Stonehenge” at Wembley Arena the night before. That partially explains my expression.

Washington, DC: 2004-2006

I don’t remember the precise moment I decided to move to Washington, DC, but I can definitively say it came sometime over the weekend of October 15-17, 2004. I was down in the District visiting my sister at Georgetown University along with our folks, for Parents’ Weekend. It was her freshman year, and she was still getting acclimated to life there. Her most fiery sports fandom (Hoya basketball, a point of contention for me, a Syracuse fan) was just brewing. On that Sunday the 17th, though, the Boston Red Sox (who my family had been following for generations) began clawing back from a 3-0 deficit in the American League Championship Series, setting off a series of events that would rock the sports world and culminate, over the following two weeks, in the second-greatest moment of my life as a sports fan.

Over the course of that afternoon and evening, I took my first few Metro rides to visit some friends who were either spending the semester there or attending college there. The former were a group of Syracuse people (mostly with a public policy or political science focus) living in Woodley Park over their DC semester, rooting for the Red Sox (either out of love for the team, pure antipathy for the Yankees, a cocktail of the two). The latter, whose George Washington Campus apartment floor I slept on, was a friend I’d made in Madrid that Spring. She and her roommate were both from New York and were accordingly huge Yankees fans. I grinned as Mariano Rivera blew that save and sent the game into extra innings, my friend and her roommate yelling “Noooo!” at the TV. They were so salty that they insisted we all go to sleep before the inevitable David Ortiz game-winning home run in the 12th.

Banned in DC 052The following morning, before leaving to fly back to Syracuse, it all set in that (to draw somehow on the non-representational theory I had no idea existed yet), I just got such a good vibe from DC. The city was so quiet and peaceful for a Monday morning as I ambled through the streets of Georgetown toward my sister’s dorm. The “Mariano Rivera for Cy Young” poster drawn in Red Sox colors in a window I passed (right) was a nice, memorable touch. Within a year, I was going to live in this weird little federal city, and I couldn’t wait to discover what else it had to offer and make my own way. Unlike New York or Los Angeles, things seemed to just be more… accessible in DC, like the whole city was one big, friendly, idiosyncratic neighborhood. Many bands I had on heavy rotation at the time – Bad Brains, Minor Threat, The Dismemberment Plan, Jawbox, Q and Not U – were from there, so there had to be something in the water, right? My urban imaginary at such a young age was based on unfair assumptions, sure, but I’m still grateful I had it influencing me.

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Ballston, Arlington VA, August 2005.

On August 22, 2005, my sister and I packed piles of our belongings into a borrowed minivan and hit the road for a traffic-laden drive down to DC. My erstwhile college roommate, Brian, was down there working an internship with the House and told me I could crash on his futon for a few weeks while looking for a job and a place of my own^. His apartment was a one-bedroom in a massive converted hotel next to the Ballston Commons Mall, which would become a crucial Caps location when they opened the Kettler Capitals Iceplex the following year. In the Summer of 2005, though, the whole block felt like it was going through some transition I could feel but not fully recognize. Recent college graduates were piling into these brutally overpriced rentals; Brian got the month-to-month at a “steal” for $1,100. When he and our friend Drew moved out that Fall, their hatbox went back on the market for $1,750 per month. Go back and reread that number. Remember this was in mid-2005. Ballston had a lot going on, but it was still fairly decentralized from where most of these yuppies worked, and on the days I slept in after Brian and Drew went to work, I have oddly specific memories of standing at the patio door, watching Arlington crushing the building across the way into history with a wrecking ball.

Urban geographers, sociologists, and economists have held DC in the same breath with redevelopment/gentrification for decades now, so I’m sure my story and reflections echo thousands of other accounts from that same era. But in that first crucial month I spent in the Washington Metropolitan Area (WMA; later rebranded as the DMV), I did not suspect that a godawful local hockey team would be the catalyst for me to embrace an alienating city as my beloved new home.

October 10, 2005

Though I don’t remember the exact moment or day I decided to move to DC, October 10, 2005 was the night that I became a Washington Capitals fan. The New York Rangers were coming to visit the MCI Center (now Capital One Arena), and legions of Caps fans were preparing their wrath for legendary mullet vessel Jaromir Jagr, who had recently the Caps on somewhat acrimonious terms. He was quoted in the Washington Post saying he would just as soon forget the few years he spent playing in Washington. That night, every. single. time. he touched the puck, the MCI center rained boos on him. The formidable Rangers were the clear favorites to win the game, but the Caps prevailed, and I had a blast watching it unfold.

There was another much more personal dynamic at work, though. My friend group at the time consisted largely of transplanted New Yorkers, whose trademark Big Apple metro-centrism often got on my nerves. I lost track of the number of times Brian, Drew, and I wound up at bars and clubs with the type of people who bragged about their fancy internships but could not wait to get back to New York – you know, a “real city.” I also lost track of how many times I rolled my eyes. At the time, I knew little about DC’s troubled and segregated history, so I usually just kept my mouth shut when people would prattle on about how disappointed they were that “our Nation’s Capital wasn’t nicer.” I would sometimes start arguments with the water-is-wet statement that DC wasn’t the same city as New York, Boston, or even Philly, nor was it trying to be. It would usually fall on deaf ears, though. Every time I heard some transient bash their host city, I started to like DC even more. Call it the me-against-the-world defiance you accrue at age 22, but it was all taking hold pretty quickly. To this day, I still get sick to my stomach whenever I hear someone whine about any  city, especially DC.

I remember sitting in the nosebleed seats at MCI that night as a flash point of all these urban-transplant emotions. Although I had grown up a huge Boston Bruins fan, Gary Bettman’s second lockout in 2004-2005 coincided with my coming-of-age. I still cared for the Bruins while I sat watching the Caps host the Rags (I was dumbfounded when Brian informed me that the Bruins had traded Joe Thornton to the Sharks), but my once-undying love had somehow withered into apathy. By the time the Bruins won a Stanley Cup in 2011, I felt nothing. In fact, my favorite non-riot-related moment of that whole series of events was watching Canucks fans cheer for the Vancouver native Milan Lucic when he lifted the trophy. I just thought it was sweet of them.

But I digress. My decision to immerse myself in DC Sports Fandom, especially given how my two favorite games were hockey and baseball, was a questionable one in 2005, because the Capitals and Nationals both suuuuuuuuuuuuuucked. On October 22nd, my close friend Jason came up from Virginia to visit his girlfriend at the time, who lived in the Maryland suburbs. I took them to watch the Caps face off against the Carolina Hurricanes, and the Caps got drubbed 4-0. Jason had never been to a hockey game before, but noted that every single time one of our guys had the puck, it looked like there were four of the other guys on them. It was an astute observation, and you could chalk that up to either the Hurricanes being a divisional powerhouse at the time or the Caps being especially listless.

Regardless, within a few months, no one could have steered me away from these teams. They hadn’t been handed down to me by my family; they were my teams. Cheering for my own teams may not have been the landmark that learning to drive or getting my own apartment may have been, but it did represent a break with my family’s New England roots. Within a season or two, though, my Dad followed suit and became a Caps fan. I must have been really convincing, because yes, the team did suck.

Of course, the Capitals had needed to suck in order to draft a certain somebody first overall in 2004 – a certain somebody who, thanks to the lockout, moved to DC right around the same time that I did: Alexander Ovechkin. You’ve probably heard of him.

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Dainus Zubrus (L) and Alex Ovechkin (R) in 2005, Ovie’s rookie year. I include this photo also to show just how disgusting the Caps’ uniforms were for most of the 90’s and 00’s. The 2007 re-brand didn’t come soon enough. (Image via NoVa Caps).

The party line on my new favorite team in the sports media could often be distilled to “boy, this team is awful, but holy hell come and see this Ovechkin kid.” And this Ovechkin kid did produce. He ended the season with 52 goals, over 100 points, and an ungodly number of shots for a rookie literally anyone. Though he couldn’t “Lebron James” the Caps to a decent record that year, I can verify from watching him play (from both $10 nosebleed tickets and various bar televisions) that Ovie was truly the one-man highlight reel announcers kept labeling him.

As tempting as it can be, I won’t turn this into a diatribe praising Alex Ovechkin, as indispensable as he’s been both in the Caps’ successes and their visibility in popular culture. But before I move on, I will share my favorite Great Eight (Gr8) moment ever: April 24, 2009 against those Rangers in the Eastern Conference Quarterfinals. I was at a hotel in Rochester with some friends, one of whom came looking for me at the work computer in the lobby because I’d been gone for so long. Although my buddy Jake wasn’t a big hockey fan, I made him sit down and watch this pure magic:

I can still barely believe my eyes when I watch him deke Derek Morris out of his skates and then, as he’s falling down, make Henrik Lundqvist look like an idiot and slide the puck through him. It was even funnier in retrospect how the Rangers had acquired Morris at the trade deadline to help prevent this exact kind of thing from happening. Every Caps fan has their favorite Ovechkin moment, and that one’s mine. This one, from that February, is a close second, though.

The Letdown Years, an Introduction

Sometime in 2006, I wrote a blog post about how awesome the Washington Capitals were, even though their record made no indication of that. I can’t remember exactly what I wrote, but I’ll try to place myself in that mindset and recreate it here as I explain the extraordinary transformation of 2007-2008. I hit a career milestone… in that I got a job and started my first career in May 2007. Thanks in part to the boss’ recognition of my Syracuse credentials, I landed a position as an Assistant Account Executive at a small public relations firm in the National Press Building. I didn’t mind that I was “working for the clampdown,” as another one of my heroes, Joe Strummer, once put it. My coworkers were an interesting bunch, all around my age, and would all eventually get swept up into Caps fever despite the crushing playoff disappointments that awaited us for my whole tenure at the company. Believe it or not, my coworkers would all witness the 2010 Game 7 meltdown in person when my boss surprised them with tickets. I got over it, though, since I was on a plane to Germany while it happened.

Here’s some more context for the non-hockey fans (if you’re still reading). At the beginning of the 2007 season, a second shining star appeared in the Caps’ sky: a fresh-faced kid from Sweden named Nicklas Backstrom. If you saw the Cup ceremony from Thursday night, then you saw Ovechkin pass the Stanley Cup to him after receiving it from Gary Bettman (as if there was ever any doubt).  I recently found a team yearbook from 2009, and Ovie and Backs were the only two Caps whose tenure with the organization stretched to the previous decade. It became clear that the franchise had no choice but to rebuild itself around these two flashy kids, and over Thanksgiving 2007 Caps GM George McPhee and owner (AOL impresario) Ted Leonsis fired coach Glen Hanlon. They called Bruce Boudreau up from their AHL farm team the Hershey Bears to fill the seat.

Boudreau would become an increasingly divisive figure (see: his inability to close in the post-season), but as soon as he joined as head coach, the Caps caught on fire. They turned their season around and went on a historic run to nudge their way into the 2008 playoffs. Suddenly, the city was waking up to them. Also, Alex Ovechkin scored 65 goals that season, won all four major individual NHL awards, and received the Key to the City from Mayor Adrian Fenty. Here is some shaky footage of that ceremony I found on YouTube. If you watch it with a fine-toothed comb, you may see me in the crowd in my business-casual attire. I worked a block away from DC City Hall, so I sneaked over there on my lunch break. I’ll never forget seeing Marion Barry, still working for the city, sitting on the ground next to the entrance in his baby blue suit.

It felt gratifying to see my adopted city embrace its hockey team that year. The Caps pushed the Philadelphia Flyers (my 30th-favorite NHL team) to a Game 7 Overtime, which exceeded expectations anybody had of them. Their faces started appearing more frequently in the commuter Express paper, which I read every morning on the Orange line to Metro Center. My coworkers started asking me about the team, as I was the only bona fide hockey fan at the firm. The fact that the Redskins had descended into some kind of Rube Goldberg script at that point (the Albert Haynesworth signing**, coupled with the controversy over their name, certainly didn’t help things) also helped push the Caps further into the city’s consciousness. I’ll admit how cool it felt to see people on message boards and (in the then-new term) IRL asking me when the next Caps game was, dejected at whatever stunt Dan Snyder had just pulled. Friends who had cast dispersion on the Caps and the NHL at large were started to systematically delete those posts from their blogs and MySpace. The zeitgeist was real***.

Of course, Ted Leonsis had made his millions from the internet, so he was no fool. By the 2008-2009 season, the Caps were suddenly a “favorite” of many gamblers, and ticket prices responded. Gone were the days of schlubs like me plopping down a $10 bill at the MCI box office and heading up to the rafters. Mid-level tickets cost ungodly amounts of money, and so the lower echelons of DC’s middle class began getting squeezed out of direct participation with the team. The Washington City Paper and other alternative outlets took exception to this capitalist blow-back on the long-suffering yet loyal fans. The Nats, also crawling into competitive stature, built an “office park of a stadium” (h/t Will Stilwell aka Loud Goat) on the Southwest Waterfront, displacing pre-War communities of color and charging $8 for a beer. Unlike with the Caps and Wizards, scraping-by fans barely had that window of “suck” through which to climb into the stands for a reasonable price, at least not since they moved out of the crumbling RFK stadium. I did always respect DC United for sticking around there, considering how paltry their crowds looked in that cavernous bowl.

On Moonlighting as a Hockey Reporter

In late 2008, my coworker Forest, who had been covering Georgetown Men’s Basketball for his friend Wendell’s low-budget sports blog, mentioned they were looking for a hockey guy. Though I didn’t have much sports journalism experience, I jumped at the chance. Caps press credentials were becoming increasingly difficult to obtain, but Wendell had gotten in right before the gate closed. Whenever the Caps played a home game, I would walk over to the (renamed) Verizon Center, flash my badge, and join the press junket for their pre-game meal in the bowels of the arena. Though I was on the bottom of the totem pole, both home and visiting hockey journos were incredibly welcoming. I got to sit up in “the halo” to watch the games and take notes, mingling with personalities like video guy/backup backup goalie Brett Leonhardt and web guy Mike Vogel. In one of my prouder moments, I informed Vogel of his more-than-passing resemblance to Robyn Hitchcock, to which Leonhardt and a scrum of journalists gasped and laughed when a then-beardless Vogel pulled up a photo of the singer. I also met Australian hockey super-fan Sasky Stewart, who had sent internship applications to every NHL franchise that winter, but was in DC because you-know-who were the only one to give her the time of day. She was the first person I thought of a month ago when Nathan Walker assisted on Alex Chaisson’s goal in Game 6 against the Pens, the first playoff point ever earned by an Australian player in the NHL.

Generally, I spent most of that season trying to do my job and not make waves. I was so timid that I doubt I even took any pictures. I don’t know if any of the post-game videos exist on the Caps’ website, but you can occasionally spot me in the background of the locker room, in well over my head but having a great time. I’m still in awe of how cool everyone was, and as much as I may have deserved it, nobody ever big-timed me. Also, I have distinct memories of Karl Alzner and Tomas Fleischmann being cool as hell to me whenever I passed them on the concourse. Remember what I said about DC being accessible? Here it was. I also gorged on free popcorn in the press box.

My press credential had run its course by the 2009 playoffs – the first time the Caps entered as a favorite. This was not a level of pressure they could withstand, apparently. They pulled off an amazing come-from-behind victory over the Rangers in round one, only to crumble in Game 7 against the Penguins (after pushing them to seven games, too). I’ll never forget watching the Caps, with the eyes of the hockey world on them, get blown out on home ice by the eventual Cup winners. I sat, dejectedly, in a nondescript bar on U Street, waiting for my friend Jana to come meet me. She got delayed, so I waited to order a drink in case she needed me to meet her elsewhere. As it became increasingly obvious the Penguins were going to embarrass the Caps in one of the most over-hyped games in either team’s history, a woman walked over to me. “If you don’t buy anything, you’re going to have to leave.” Her words hit me especially hard in that moment. U Street, which I had been watching rapidly and steadily gentrifying over the four years prior, was now where I could go to get kicked out of a bar for sitting and quietly watching television. As Cr*sby picked Alex Ovechkin’s pocket at center ice and skated it in for a breakaway goal, I gave up and walked out. I couldn’t stop thinking about this moment last month in that magical moment in Game 6, when Ovechkin picked Cr*sby’s pocket at the blue line, dished it up to Kuzy, and they finally, finally twisted the dagger on that team I hate so much.

The 2009-2010 season was another animal. The Caps reached 121 points in the standings and ran away with the Presidents’ Trophy. They also went up 3-1 against the Montreal Canadiens in the first round of the playoffs (inspiring some Quebecois ire) before losing three straight to Jaroslav Halak. Hockey is perhaps the most “team sport” of the team sports, but never before had I seen a decent goaltender catch fire and buckle the best team in hockey.  It was tantamount to Stephen Curry defeating Georgetown single-handed in the 2008 tournament. Basketball is a team sport, too, most of the time. At any rate, the Caps front office rewarded fans’ grief with the biggest ticket price spike in their history.

2010 was also the year I decided, for reasons unrelated, that I was ready to leave DC. I had known since the day I’d finished undergrad that I would attend grad school for Geography some day. Unlike the moments in which I decided to move to DC and wherein I became a lifelong fan of the Washington Capitals, I cannot narrow down to a single weekend the moment I felt officially ready to leave. But it was unquestionably in the Fall of 2010 that I realized that “some day” was coming. That season, I remember going to a game on February 6, 2011 – a Caps/Pens match-up on a Sunday matinee (just like old times). My decision to go was an impulsive, last-minute choice. I obviously couldn’t waltz into the box office with a Hamilton anymore. I had to hand a wad of cash to a scalper in order to get a nosebleed seat, but the game was a decent time. The Caps won 3-0 in the absence of some of the Pens’ superstars, and I left with a slight suspicion that this would be my last time in the “phone booth” for a while. I haven’t been back inside there since.

In fact, I’ve only seen the Caps play in person once since then: March 30, 2014 in Nashville, as an early birthday present. The Caps lost in the shootout, but they got a point out of it. They missed the playoffs that season, and I still don’t get how it was possible for a team with Alex Ovechkin and Nicklas Backstrom to do that. In retrospect, though, it may have been Ovechkin’s -35 rating, Backstrom’s -20, Adam Oates’ sub-par coaching, or how nobody else had a career year. Thanks, Hockey-Reference.com. My favorite memory from that game was hanging out with some wonderfully gracious Preds fans, which moved their team way up within my ranking of favorite NHL teams. Seeing Preds gear on students all over campus has been nice these past few years teaching at UTK.

Nashville’s run through the Western Conference in the 2017 playoffs was also incredible to watch after the Caps took their annual, underwhelming exit against the Pens in Round Two. Seeing how brilliantly the Predators got the Nashville and greater Tennessee community involved was nothing short of inspiring. I can’t wait to see that team win their first Cup; they did more for hockey in the South by making the Finals than the Stars or Hurricanes did by winning.

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Via NHL.com. P.K. Subban’s well-documented swagger on display as he greets fans.

Though I couldn’t make it to Nashville to experience the Stanley Cup fever firsthand, I loved the attention the team and their fans were getting. Also, based on photo sets I was seeing online, I had never witnessed such a diverse fan-base as the Preds’. The crowd partying outside of Capital One exhibited a diverse fan-base in DC as well. Race is never simple to discuss, but considering how far the discussion has advanced in the NFL, I’m glad to see the NHL engaging so constructively. For the least racially diverse major sport in North America, the NHL has done well proving that Hockey is for Everyone. Like NASCAR, an increasing number of the sport’s rising stars are coming from minority backgrounds, and Nashvegas made that increasingly visible last year.

On a more molecular level, though, there had to be some college grads moving to the fast-growing Nashville for their first jobs, and the Preds have given them something to rally around as the Caps did for me. Like the Caps did for DC at large, maybe the Preds also provide a solid communal mooring for people afraid of their city losing so much of its character to development. There’s always room for discussion here.


Thursday, June 7. 10:39 PM. The Old City, Knoxville, TN. 

I sat along at a table at the Urban Bar, wringing my hands and slowly draining my beer (when I remembered it was sitting in front of me). Todd and I had watched the scoreless first period of Game 5 before he left for his bar shift. I decided to bike over to a bar in Market Square to see if I would run into anybody I knew. My other hockey-fan friends were either out of town or home for the night. I’d seen nobody familiar and a panoply of annoying strangers in Market Square, so I came back down to Urban Bar for the third period. Also, the Knights outscored the Caps 3-2 in the wild second period, so I figured it wouldn’t hurt to reset my location (again, I’m rarely this superstitious). It’s always an adventure navigating the bar scene in Tennessee when you want to watch a hockey team who isn’t the Predators, even if it is the Cup Finals.

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via the Urban Bar’s website.

Plus, Urban Bar was where I’d been watching when Evgeni Kuznetsov ended Game Six against the Penguins. When it happened (watch this video at least 15 times), I was sitting with Todd and our friends John and Alexis, and I yelled so loudly that the whole bar turned and looked at me. I may have also said something cruel about Pittsburgh, which I quickly redacted because I love that city as much as I hate its hockey team. I also enthusiastically yelled “they’re showing it again!” every time the NHL network replayed it into the night. In that moment, it did seem like anything was possible. Even if the Caps didn’t make it past the Lightning in the Eastern Conference Finals, we’d always have this moment of watching S*dney Cr*sby skate away sadly as the Caps celebrated in the background.

Around 10:39 PM on June 7th, the Caps still trailed by a goal, but I remained optimistic. After all, they led the series 3-1. Still, the garden variety of playoff failures over the years still swam around in my brain. The Caps had proven over the previous decade that they were capable of blowing this. Every time the NBCSN directors cut to a shot of the massive swarm of bouncing red at the corner of 7th and G Street, my heart swelled. Those were my people. DC Love and all that. If I hadn’t left, I would be in that swarm. Suddenly, what would have been unthinkable (ca. 2009-2017) happened: Devante Smith-Pelly, one of my favorite players, pulled acrobatics and tied the game. At 10:41, I sent a voice message text to my sister wherein I declared him to be “the greatest human being ever to live.” Again, rope in non-representational theory to explain why I would say something like that in the heat of the moment. It may also be because Devante Smith-Pelly is a golden god. JUST WATCH. 

My single favorite tweet of the entire postseason came from J.P. of Japer’s Rink, who said after game 2 that “guess this is what 43 years of banked luck looks like.” The Caps had gotten a lot of lucky bounces and supernatural saves from Braden Holtby, but I’m a stern believer in the axiom that good luck is still something one still needs to work for. Nobody has ever won a championship, paid their rent, or bought a house with lucky bounces, indie cred, or exposure.

Within minutes, Lars Eller slid in behind Marc-Andre Fleury and banked the game-winning goal. The Caps were suddenly in the lead, and they would not surrender it. With two minutes remaining, Todd materialized to watch the clock run out and the Caps celebrate. Though they narrowly missed the Golden Knights’ empty net a couple times, the Caps protected their lead, and years of pain dissolved and floated away into the atmosphere above the DC Beltway.

I spent the next few hours, when I wasn’t excitedly texting with old friends and chatting on the phone with my father, high-fiving strangers and finding places to watch the post-game interviews at full volume. I biked home that night on pure adrenaline, excited to get on YouTube to relive moments from that night and plunge into the ninth circle of Capitals twitter.  I eventually got to sleep, unaware that over the next few days, something truly remarkable would happen that brought so many of my thoughts and emotions about DC, cultural geography, and this team together in an elaborate, shambolic package.

As I write this, the Caps are probably either hung over or still partying in the streets of DC. After doing press in Las Vegas, Ovechkin brought the Stanley Cup to a nightclub, where he hung out in the DJ booth with Tiësto (because of course they are friends). The team flew home in the morning, and Ovie and Backstrom carried the Cup off the plane to a raucous ovation. On Saturday afternoon, the team went to the Nats game with the Cup and Ovechkin threw out the ceremonial first pitch (twice). Within a day, footage started to emerge of about six Caps partying on the Georgetown waterfront and jumping into a fountain with incredulous fans. They invaded the Georgetown high-society joint Cafe Milano, where they interrupted a dinner date between Ivanka Trump and Jared Kushner. No matter where your politics sit, DC is just so surreal and awesome sometimes.

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Via WJLA. Six members of the Caps, decked out in Nationals gear from the game earlier, invade Cafe Milano. Ivanka Trump is appropriately star-struck, and (again, owing this observation to Loud Goat Stilwell) Ovechkin is WEARING TWO HATS.

So where does this intersect with DC’s (sub)cultural geography? In the brief period where I had some access to the Capitals In-Game Entertainment, I never worked up the nerve to campaign to get Minor Threat’s “Seeing Red” playing at games. But as history since 1980 has shown, harDCore has its subversive ways of leaking into the mainstream landscape. Earlier today, my old friend Matt, who runs a punk record shop and boutique in Adams-Morgan, posted pictures of himself with the Stanley Cup from last night. Apparently, he was on his way home from a show and decided he was going to swing by Georgetown and literally get his hands on some history. The door was locked when he got to the restaurant in question, but Backstrom and Oshie soon emerged with the Cup in their hands. Below is the result of the scrum of fans who, understandably, went nuts.

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A variety of bloggers have tried making sense out of the team’s prolonged street-level celebration. One of my favorite posts anthologized Jakub Vrana’s snapchat stories from the night, which chronicled their adventures as they passed through Georgetown and Adams-Morgan, mingling with fans and pouring money into local businesses (i.e. pubs and tattoo shops). At this rate, I wouldn’t put it past the team to record their own version of “The Super Bowl Shuffle,” but with a version in a harDCore style on Side A and a version in a Go-Go style on Side B.

While their front office may have spent the last decade jacking up ticket prices and squeezing loyal fans out of direct participation, the Caps have spent the past 72 hours bringing the party right back to the streets of DC and in the arms (and selfies) of those fans. As obnoxious as some of their antics may be, they are sharing their reward with the supporters who lived and died with them over the years. This was the type of celebration I could have only fantasized about throughout the Letdown Years. I can only imagine what their victory parade is going to look like tomorrow.

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Once again, congratulations to the Washington Capitals for pulling this off, and to all their lifelong fans who were suffering for much longer than I was. As I posted in #ALLCAPS on Thursday night and I think I made clear enough here, I love this f@#&ing team, and I love (and miss) this f#*@king city. Thank you for reading.

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BONUS TRACKS

* For those who are fans of ironies to end all ironies, here’s an anecdote for you. Though the Caps were still my favorite, I became a de facto Kings fan in 2011 after moving to Long Beach to get my Master’s Degree at Cal State. I liked most of the players and most of my friends out there, including several geographers who’ve appeared on this site in some form, were Kings fans. One geographer, Emily, invited me to join her for the Kings’ Game 3 against the Phoenix Coyotes in the 2012 Western Conference Finals – a text that arrived like manna from heaven on May 12, within an hour of seeing the Caps lose their own Eastern Conference Semifinals Game 7 to the New York Rangers. I still remember how great it felt when I read her text, which I think I told her when we went to the Staples Center the following week. In case I didn’t though, I’ll make sure she sees this. ANYWAY, the Kings would make short work of the Coyotes and head to the Cup Finals against the New Jersey Devils, who they defeated in six games to win their first Championship. Though I’d managed to watch most of the Kings’ games with my Long Beach friends, I couldn’t be there to celebrate with them the night they won (June 11th) because I was in DC, forcing an apathetic friend to turn the game on so I could at least see it happen live. In retrospect, this irony isn’t really “an irony to end all ironies,” but I’m not going back to edit that.

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Dustin Brown chats with fans before Game 3 of the 2012 Western Conference Finals. Taken with my grainy camera phone.

^The fact that someone in my position could move to anywhere in the DMV on pure speculation just because they felt like giving it a shot, anytime this century, may sound like the most unbelievable thing about this entire entry. Whenever I talk to a friend who’s moved to DC in the past decade, I tell them about the pretenses I moved there under, and they rarely believe me. How times have changed.

** A decade ago, I had no idea I would ever live and work in Knoxville, where Albert Haynesworth is still regarded as a UTK legend today (and shows up, in his gigantic tank of a Humvee, to parties in the Old City). A couple years ago, I was waiting on my order at a short-lived burger joint on the UT Cumberland Strip, and I noticed they had a framed Haynesworth Volunteers jersey on the wall. I took a picture, and sent it to my best friend from my DC life and a big Skins fan, Evan. He replied, “it’s like an image from some sh*tty dream!” That signing is still among the worst in NFL history.

*** Though I’m not as big of an NBA fan, I’d be remiss if I didn’t include my favorite Bullets Wizards story from this “zeitgeist 2008” moment. While the Caps were dashing into the playoffs with a head full of steam, so were the Wiz, albeit against Lebron James in his original run with the Cavaliers. The Cavs won the first two games in Cleveland, and someone on the Wizards (I believe DeShawn Stevenson) made some comments about King James’ play. LeBron, most likely goaded by someone in the sports press, replied that “DeShawn Stevenson telling me how to play basketball is like Soulja Boy telling Jay-Z how to rap.” What James hadn’t considered what that Soulja Boy, the king of the one-hit-wonder club hit, was either planning (or available) to come to Game 3 with a bunch of his friends from DC. The Wizards management arranged to have Soulja Boy and his whole crew sit behind the Cavs’ bench, and the Verizon Center blasted “Crank That” during every other stoppage in play. Though it hasn’t happened often in LeBron’s career, DC exposed a chink in his armor and got inside his head. The Wizards annihilated the Cavaliers that night. They lost the series, but this made for one of my favorite unheralded NBA stories.

New Release: Entry on Ethnographic Research in the SAGE Encyclopedia of the Internet

51oe9xjvafl-_sx385_bo1204203200_I was invited to contribute a passage on Ethnographic Research and the Internet in the brand new SAGE Encyclopedia of the Internet (B. Warf, Ed.). It just hit the SAGE online portal this week, and my entry is located on pp. 363-366 in the print edition.

If your institution has library access to the volume (which they should… this is the SAGE Encyclopedia we’re talking about), then you can just search under my name within the book, or find it via direct link here.

Thanks to Dr. Barney Warf for inviting me to contribute, and thanks to Dr. Michael Semen for recommending me to Barney.

I hope everyone is enjoying their summer! I will post some updates on a few projects when I have the chance soon.

Picking an Alternate National Anthem for the United States

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Each week in my American Popular Culture class this semester, I posed an open-ended question to my students on our discussion board. These topics traversed subjects as eclectic as everyone’s favorite gags from film and TV, favorite local food spots, and even conducting digital ethnographies using Youtube comments from classic music videos. One question I had in mind was inspired by the right’s manufactured controversy over NFL players (and other athletes) kneeling through the National Anthem in acts of protest and solidarity.

Though “The Star Spangled Banner” elicits a range of responses that reside on a spectrum between detached ambivalence and fiery Nationalist passion, I very quickly found myself wondering whether perhaps the United States had outgrown her National Anthem. After all, it was inspired by a battle fought more than two centuries ago, written by an amateur poet with no intent to become anything greater than prose. From a musical standpoint, it’s challenging to sing (even for talented vocalists), which complicates the communal dynamic of crowds being tacitly expected to sing along.

I did not have a spare week in which to pose this question on our discussion board, but I had the opportunity to do so on the final exam. My question and preface are pasted below, followed by a list of our class’ responses. The impressive range of choices, both stylistically and historically, was pretty inspiring, coming from an engaged and creative group of students. It has me thinking about a possible future paper about an assignment like this, discussing how human geographers can use music and pop culture to approach discussions on national identity.

For 87 years now, “The Star Spangled Banner” has been the National Anthem of the United States of America. Prior to 1931, it had been played at official events like the World Series (1918).
Over the past decade, and particularly since 2001, the anthem has come to represent and elicit a wide array of passions in equal elements Nationalist and Globalist. Over the past few years, this has come to a head in light of the Take a Knee movement in professional sports and in other areas of popular culture. What began as a protest to bring visibility to police and State violence quickly escalated to a question of Patriotism. It also led to a greater introspection on the history, context, and meaning of “The Star Spangled Banner.”
Let us say, hypothetically, that the US government decided to pick a backup/unofficial National Anthem. I ask you all as members (or consumers of) American Popular Culture, to PICK THAT SONG. It has to represent (to you) what America is all about, what makes America great, or what America needs to greater understand about herself. This response only needs to be about 50-100 words and should include a link to the song if possible. Don’t be afraid to get creative.

  • Buffalo Springfield – “For What It’s Worth”
  • Toby Keith – “Courtesy of the Red, White, and Blue” (2X)
  • Various – “America the Beautiful” (2x)
  • Beyoncé – “Formation”
  • U2 – “In God’s Country”
  • Ella Fitzgerald & Louis Armstrong – “Summertime”
  • Car Seat Headrest – “Drunk Drivers/Killer Whales”
  • Journey – “Don’t Stop Believin'”
  • James & John Johnson – “Lift Every Voice and Sing”
  • Lynyrd Skynyrd – “Freebird”
  • Colt Ford – “Workin’ On”
  • Crush 40 – “Live and Learn”
  • Lana Del Rey – “National Anthem”
  • Miley Cyrus – “Party in the USA” (2x)
  • Dick Dale – “Misirlou”
  • Lee Greenwood – “God Bless the USA”
  • Journey – “Lights”
  • Woody Guthrie – “This Land is Your Land” (2X)
  • Johnny Cash – “Ragged Old Flag”
  • Queen – “Bohemian Rhapsody”
  • Ray Charles – “America the Beautiful”
  • Smashing Pumpkins – “Tonight, Tonight”
  • The Temptations – “Papa Was a Rolling Stone”
  • Kendrick Lamar feat. U2 – “XXX”
  • The Eagles – “Hotel California”
  • “Welcome to McDonald’s” (“Welcome to the Jungle” Parody)
  • Wu-Tang Clan – “C.R.E.A.M.”
  • The Arcade Fire – “Wake Up”
  • Robert Johnson – “Cross Road Blues”
  • Bruce Springsteen – “The Promised Land”
  • Don MacLean – “American Pie”
  • Billy Joel – “We Didn’t Start the Fire”
  • John Williams – “Imperial March” from Star Wars

My biggest surprise was that it took as long as it did for someone to mention a Bruce Springsteen song (and that it wasn’t “Born to Run,” which I thought would be a shoe-in here). I would blame it on a generation gap, but there were two students, both born in the mid-90’s, who picked songs by Journey. Feel free to mullet mull it over.

Three of the artists – U2, The Arcade Fire, and Queen – are not American per se, but I accepted all three enthusiastically. On U2’s first appearance on American television in 1981, Bono proudly declared that unlike certain other Irish bands, “we want to be here!” By the time that their Live Aid performance (speaking of mullets…) propelled them into rock-god territory a few years later, a healthy majority of their songs expounded love for the United States and her tumultuous history (see: basically the entire track list of The Unforgettable Fire). By the time they created The Joshua Tree (1987), U2’s fame was powerful enough to influence many commonly held ideas of “Americanness” in pop music. On Rattle & Hum (1988), they had about as many songs about Ireland (“Van Diemen’s Land”) as they did about Nicaragua (“Bullet the Blue Sky”). So many of my favorite songs from that era of the band were love letters to America, which meant a lot, considering how few love songs U2 wrote in their first two decades.

As for the Arcade Fire, Win and Will Butler came up in Texas; I don’t know if there’s ever been a more American band from Montreal. As for Queen… try to go to an American sporting event without hearing “We Will Rock You.” “Bohemian Rhapsody,” for anyone born after 1980, will always be inextricably linked to the most middle-American of SNL adaptations, Wayne’s World.

I meant it when I said “get creative.” On the last day of class, I shared my pick for alternative national anthem, which I chose for my own reasons, and not because Rudy Martinez has been known to say as much from time to time:

Five Latino dudes from Michigan, one of whom had the audacity to change his name to a piece of punctuation, building a bizarre mythology, distilling proto-punk through an in-your-face Farfisa organ, and continuing to perform for more than 50 years: what could be more American than that?

Escalators! (AAG 2018 Recap, Part III)

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What would any self-respecting AAG recap be without an entry inspired by a conversation I had with a Finnish-German (or, German-Finnish, not sure which direction that goes) friend over breakfast in the Louis Armstrong Airport on the way home Saturday morning? Why, it would be stuck on the first floor, literally and figuratively.

Lauri Turpeinin and I happened to be on the same flight from New Orleans to Atlanta, so we met at the airport and grabbed breakfast: beignets for him (his first of the trip) and an andouille egg sandwich for me (my favorite sausage, challenging to procure the further you move away from the Gulf). Mixed within a disconcerting yet fascinating conversation about the ongoing, wasp-like presence of Neo-Nazis in the Eastern European hardcore/punk/metal world, Lauri mentioned that his line of research often incorporates scholarship prone to thick description. This includes, for example, three-volume tomes about the social and cultural “meaning” of escalators. At first, we both laughed it off as the type of academic psychobabble somewhat stereotypical of academe. Within a few seconds, though, I realized that escalators carry a ton of baggage culturally and geographically. I’m sure Andrea Mihm (author of, loosely translated, The escalator – cultural studies about a mechanically developed in-between-space) would have a lot more to say about it, but let’s go to the (mental) tape:

  • When I was a kid, it made me happy to see an escalator; a vast majority of opportunities to ride them happened in the context of some leisure activity like mall-shopping or pavilion-carousing, far from home. To this day, whenever I see some kid (or someone with the maturity level of a kid) running the wrong way down or up an escalator, I try to reserve judgment because I spent most of ages 6-15 wanting to do it but never conjuring the courage.
  • With the rise of the 24-hour news cycle in the United States, escalators became a surprisingly common object of demonization, an evil mechanized foot-shredder, preying on absent-minded shoppers in thong sandals and (in some rare, extra horrifying scenarios) barefoot pedestrians whenever outlets needed a fresh, hot fear injection on slow news days.
  • Likely influenced by the sensationalizing of escalators as bringers of humanity’s downfall, The Simpsons tackled the machines via an Itchy & Scratchy cartoon on “The Front” (9F16) in 1993. Though it wasn’t my favorite gag from that episode, it was definitely memorable, and it provided a lynch pin for the plot about Bart and Lisa submitting I&S scripts under Grandpa Simpson’s name. That episode, to my knowledge, was also where America found out that Grandpa’s name was Abraham.
  • Escalators played a pivotal role in my mobility when I lived in DC. I interacted with one of the DC Metro’s notoriously long and temperamental escalators almost every day, including the legendary ones at Bethesda and Woodley Park. I never had the pleasure of riding their record-holding counterpart at Forest Glen Metro, but I heard legends of it throughout the DMV. On a few unfortunate occasions, I had to hike all the way up the broken escalator at Dupont Circle. On others, one of the two platform escalators was broken, closing whichever one went down and forcing me and hordes of other yuppies to wait in line for the elevator, missing our train and delaying our ride home by a solid half hour at least. It sounds sensationalized, but like anyone who’s experienced the DC Metro anytime in the twenty-first century can attest, I WAS THERE, MAN. Of course, next year’s AAG meeting will take place around the Woodley Park Metro station… any geographers not satiated by the zoo (a walking distance from the conference hotels, in Cleveland Park) will have the pleasure of taking that escalator down into the bowels of the Earth, wondering if it will ever reach its destination.
  • Mitch Hedberg, one of the truly great stand-up comedians of the modern era, had a classic joke about escalators that I can’t imagine anyone else surpassing. Sorry for the convenience.
  • In August 2015, I lugged the heaviest suitcase imaginable from Paris to Brussels to meet up with my friends Ruth and Casey. I navigated the Brussels Metro to the station closest to our AirBnB. I believe it was Sainte-Catherine. Anyway, my insurmountably heavy suitcase had a bum wheel; I had purchased it for 30 Euro at the Porte de Montreuil flea market, and I got what I paid for. I righted the caster just enough to slow-roll it up to a street escalator. Something was wrong with this escalator, though…it was sitting still. I looked around to see if anyone in a uniform could help me, but that area of the station was desolate. This was strange for such a busy Metro station in the middle of the day. I lugged the broken suitcase over to the escalator on the opposite end of the station… which was also not running. I was on the verge of tears. It was the middle of summer, and I was sweaty and exhausted. I began to wonder if it was even a good idea for me to be in Brussels when a young man walked by me, onto the entrance of the escalator… and [CHKVROOOOOOM] it started moving. I felt like an idiot. Paris, DC, Madrid, and anywhere else applicable had not thought of installing sensors that activated their escalators whenever a rider stepped on, thereby saving unimaginable amounts of electricity. I was mostly frustrated because it hadn’t even occurred to me to try stepping onto the escalator. If I had, I would have spent about seven fewer minutes underground and enjoying the cobblestone street over which I had to drag my gigantic (what may as well have been a) back-of-bricks. Those smart escalators in the Brussels Metro probably made me look, to any potential observers for a brief moment, stupid. I still imagine a group of Belgian security guards watching me through CCTV and wondering what’s wrong with me.
  • Another note on the escalators in the DC Metro (or, for that matter, in any city not known for its warmth and compassion): People who stood on the left side of escalators going either direction placed themselves directly in the cross-hairs of raging commuters. Sometimes, these interactions grew ugly. I’ll never forget being stuck on the right (standing=acceptable) side of the escalator up to the 7th and F exit of Metro Center when the left (standing=unacceptable) side came to a halt. A woman yelled quite authoritatively “please move to the right if you’re going to stand!” Someone about 6 or 7 people up yelled back “there’s a blind person up here!” I can’t describe how quickly and diametrically the women’s countenance shifted from angry to embarrassed as she yelled back, “oh, I’m so sorry!”
  • Perhaps we will never come to an effective agreement on whether it is ever appropriate for somebody to stand still or to aggressively climb on an escalator. Just ask Krist Novoselic.
  • Finally, and perhaps most pertinent to this conversation, I must discuss the busted escalators at the Sheraton Hotel during this year’s AAG conference. Though three hotels had been outlined for the sessions, the Marriott and Sheraton were doing the heavy lifting across Canal Street from one another. Understandably, the Sheraton did not widely publicize a particularly gruesome accident that happened to a contractor less than two weeks before AAG registration opened. I wonder if this slowed progress on fixing the escalators between floors two and four. I’m also still highly skeptical that the floor-by-request button-less elevator system that many conference hotels have adopted is at all effective. Either way, having to run up poorly marked stairwells in order to make sessions on time was not ideal. I also doubt that the handful of geographers understood my reference when I yelled “rock n’ roll!” in a British accent while searching for the proper door to the 4th floor, but that one’s on me. Thankfully, the downward escalators were working, so it was possible to ride down and decompress for a couple flights before inevitably getting AAG’d in the lobby. [EDIT: I managed to forget this segment when I wrote the original entry, despite Lauri and I having talked about it at length that morning in the airport. I just added it in; thanks to Sarah Gelbard for calling out my omission].

And that is just what I thought up in the span of two minutes of conversation. To be fair, I did embellish this list slightly while compiling it, but I stand behind what a crucial role escalators play in the urban (and even suburban) landscape. The next time your knee-jerk reaction is to scoff at a case study or topic, think twice and realize how Clifford Geertz was onto something when it called it “thick description.”

Now, if you’ll excuse me, I have to start compiling data for a research project on the apocryphal Florida Man (based on another conversation I had at AAG). Here’s a music video featuring both escalators and Gary Numan. And they said it couldn’t be done!

 

Repeat Photography in New Orleans (AAG 2018 Recap, Part II)

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Dr. Yolonda Youngs presenting in “A Second Look: Exploring Repeat Photography Across the American Landscape” on Friday 4/13/18. Photo by the author.

Last week, I found may way to an excellent session on Repeat Photography-as-Geographic Method organized by Dr. Bill Wyckoff from Montana State University. It inspired me to adopt the term “repeat photography” over “re-photography,” mostly because the former has seen an increase of use in academic texts, but also because it simply sounds better. Hyphenated words create all sorts of awkward syntax situations. Hopefully nobody minds if I keep the “Re-Photography” category for now (I don’t know how easy it would be to go back through and change all of my prior entries).

One post here from 2014 described talking my way up onto a balcony at the corner of Royal St. and St. Ann in the French Quarter to recreate one of my favorite postcards from the Ben Irving collection (if you don’t know who that is, stop, read this, then come back here. I’ll wait). I revisited the site several times on this trip, only once on purpose (a dinner with the Music Geography group on Tuesday night). The Pere Antoine restaurant had not changed at all, but the intersection had a giant divot. One of the structures diagonally across Royal Street had been torn out, apparently. I snapped a photo of the lot, and we moved on.

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After getting back to Knoxville, I did some light research. Apparently, the building in question wasn’t torn out; it collapsed from years of neglect a few months after I took that picture. Though the French Quarter is one of the most photographed neighborhoods in North America, this building came off as fairly unremarkable. I doubt I would have thought much about it had it not been for its position within that postcard’s frame. I’m sure some photographs of it exist that were taken after mine (July 2014), but there’s no way to know for sure, outside of scoping Google Street View:

Oh, what’s that? Google sent their gaudy Streetview mobile through the Quarter in January 2014 (when the yellow house was still up) and then again in January 2017 (after it had collapsed)?

Looks like I have the last photo taken of that house EVER. If you see this and have a more recent photo, please comment or email it to me. I will be too ecstatic that people are actually reading this blog to feel bad about being proven wrong.

I didn’t speak with the Pere Antoine management and ask whether anyone was still there from 2014, but turnover in the restaurant industry being what it is, I would have been surprised. By the way, this mini-paragraph is foreshadowing.

Let’s roll the tape. Today’s entry will be divided into two distinct subsets of repeat photography: image recreation (the Ben Irving postcards) and personal photo recreation (re-staging my own photos from my first trip to New Orleans in April 1998). On this trip, my personal photo recreation were much more successful, for a variety of reasons that mostly narrow down to timing, luck, and people not wanting a stranger to go onto their (Federally owned) roof.


THE POSTCARDS

The Roosevelt Hotel (1937 / 2018)

This one was hardly a success story. The artistic interpretations on the postcards take some liberties in “inventing” impossible perspectives on these buildings. Baronne Street, no longer the home to the wide-berth streetcar lines from 1937, is almost uncomfortably narrow, at least for my purposes. I took my picture (right) of the Roosevelt, standing in front of Cajun Mike’s Pub n’ Grub, which sits next door to the incredible Crescent City Books, which opened in 1992.

The following message appears on the postcard (February 1937):

This picture shows the Roosevelt Hotel, the largest and finest hotel in the South. It has been designed to meet the demand for the highest type of hotel service and accommodations. The Roosevelt, and the Bienville Hotel — facing Lee Circle, (under Roosevelt management) — together provide more than 1200 strictly first class rooms, each with a bath. The First Hotel in the South with more than a hundred Air Conditioned Guest Rooms. Come to the Roosevelt.

As with previous hotel postcards I’ve shared, air conditioning was a major selling luxurious selling point at that time. Being a Waldorf Astoria hotel, restored to its former glory in 2009, didn’t remove it from the luxury conversation either. I felt out of place breathing the air in that concourse. I paused to check out the Sazerac Lounge on my walk through to the other side, where I took these pictures:

 

Lafayette Square (1941 / 2018)

The souvenir packet contained a handful of beautiful vistas of City Park and Metairie Cemetery, neither of which I found a window of time to explore on this trip. I would have loved to, in either case. I’ve never been to City Park, and I haven’t been to Metairie Cemetery since 2008. OH DRAG ANOTHER EXCUSE TO GO BACK TO NEW ORLEANS I WAS HOPING I WOULDN’T WIND UP WITH ANY OF THOSE.

Time to complete this section with my only real success of the week:

CANAL STREET AND RAMPART AT NIGHT, 1937/2018

If I had to make a list of my ten favorite cards in the Ben Irving collection, this one would most certainly be on it. The message on the back runs provides a 5-cent history of Canal Street, and makes you dig for the rest:

Canal Street, so named because in the olden days a big drainage Canal ran down its center, recently rebuilt at a cost of $3,500,000 [$51,078,304 in 2018 by USDL inflation metrics], is 170 feet wide, one of the widest central business thoroughfares in the world, has sidewalks of terrazzo marble and neutral grounds. It marks the upper limits of the old city.

This street scene fascinates me for a few reasons. First, the city apparently altered or tore out that traffic island in the center of the postcard (or just played a trick of perspective and that “island” is where those light poles are standing to the right of my photo). Second, it seems presumptuous of the postcard artist to include those puffy clouds in the background, considering how much light pollution emanates from Canal Street anytime that the sky is as dark as it appears there. That being said, the buildings were much shorter back then. Third, while the Saenger Theater (on the respective left sides) is still operating in its full glory the Loew’s theater, shown on the right side of the 1937 postcard in its full glory, currently sits in state, having closed due to fire code violations(?) in 2007. Learning from that Cinema Treasures page that the owners are planning to tear it down and build a hotel on the site (can never have too many of those) makes me want to get on a plane back and break into it while I still can. The whole building is boarded up, even the street-level businesses. I guess the property is still generating some revenue with those two billboards:

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The State Palace Theater, April 2018. Photo by the author.


RECREATING MY 1998 PHOTOS

As I’ve mentioned, my first trip to New Orleans took place over the French Quarter Festival almost exactly two decades ago. My incredibly talented sister played in the Connecticut Youth Jazz Workshop, whose director managed to book various combos on stages throughout the French Quarter over that week. I was a Freshman in high school and taking a crack at amateur filmmaking and photography. I have no idea if I’ll ever digitize the videos I filmed of the shows, but the band(s) performed on the Natchez Steamboat, the Marriott Hotel, and once the Festival kicked off, the Bourbon Street Stage (with a looming storm overhead). I also filmed the Second Line parade that opened the Festival that Thursday*. It’s remarkable that the Youth Jazz workshop got booked, considering how fast the FQF was growing and the height it’s grown to, based on what I saw the other week.

This year, I was chairing a paper session during the opening day parade (Thursday at 10 AM), so I couldn’t retrace my 20-year-old steps and film it. It would have been fun to find my 1998 vantage point and compose some video that juxtaposed the two, especially if I had landed any footage of Mitch Landrieu (I have a few seconds of Marc Morial walking through the frame in 1998). The last time I was in the same room with Landrieu (at the US Convention of Mayors in 2010; more on that soon), he shook all of our hands and introduced himself as Mitch. Class. Act. Also, he delivered one of the greatest speeches of the twenty-first century last year.

Coincidentally, the NOLA Virgin Megastore opened that week in a style best described as “Richard Branson.” My father and I went down to 620 Decatur, where a large crowd had gathered that included Branson, some city authorities, and a performance by Aaron Neville. At the time, his only song that I knew was “Everybody Plays the Fool.” Either way, I loved the spectacle, and I bought my first Pavement CD that day (Brighten the Corners), along with Beck’s Odelay and the Richard D. James Album by Aphex Twin. I still listen to all three regularly, and I’ve written extensively about the former’s influence on my love of music and approaches to teaching musical geography. I still have a poster of a young B.B. King they gave out as souvenirs that day. I wonder why they put King on there rather than an artist properly from New Orleans, but it looked cool and still does. The poster and the CDs have both outlived the store itself^, which shuttered around the time of Katrina and became one of the first casualties in a wave that claimed all of Branson’s stores in 2007.

I enjoyed revisiting some of the pictures I took on that trip, considering how many tangential elements of the French Quarter’s landscape had changed since then. I took photos of my pictures for reference (scanned in here for consistency) and stopped by a few locations before AAG kicked into high gear. Here are some of the results.

The LaBranche House (700 Royal St.)

In my 1998 photo album, I labeled this building as “highly photographed building in the French Quarter,” forgetting what it was called. The LaBranche House has gone through a few iterations, including the Royal Cafe (the possible setting of one of my favorite American Music Club songs) and all within the vice grip of the tourist gaze. Today, the street level contains the Forever New Orleans gift shop, home to the dumbest catalog of tacky souvenirs I’ve ever laid eyes on and probably the most profitable business to ever occupy that space.

The 400 Block of Royal Street, Looking East

As much as Google Streetview has revolutionized the way we think about cartography, place, and space, I resent it for making this whole process a bit too easy. In this situation, I stopped myself dead in my tracks and just saw this row of buildings, proud of myself for not prowling through Street View images to line this up ahead of time. I guess the NOPD was into queuing up their squad cars on the sidewalk by the station. I’m assuming that’s what the large building out of the frame(s) to the right was, since it’s unmarked on Google Maps and I can’t find a sign anywhere.

Court of the Two Sisters Restaurant, Exterior (613 Royal St.)

From what I remember, my family and a few others made reservations for one nice dinner while we were in New Orleans that week. I may have been turned away for wearing shorts and had to run back to the Sheraton to change before being allowed to sit down. I also think that at one point during our meal, my mom asked our server to bring her meal back to the kitchen, and he reacted as if he had been shot. We never were too comfortable in higher-class dining. At any rate, I took this first photo (above, left) before we walked into the restaurant. Portions of two heads are visible in the frame, and I can’t remember who they were. The only obvious difference here is that the building next door has been repainted yellow from red. The restaurant’s facade, even the positions of its green shutters (coincidence, I’m sure), have not changed in twenty years.

Court of the Two Sisters Restaurant, Interior (613 Royal St.)

I regret not taking more time to snap this one (on the right), but I didn’t feel completely welcome back there. The restaurant had just reopened for dinner service (around 4:30) and I was the first customer in there, clearly not intent on buying anything. I walked back, saw the fountain, pulled out my phone and snapped the picture. In the 1998 photo (left), I appear to have been standing right behind the fountain. I could probably also blame this discrepancy on that table right in front of me (right).

My favorite element of this photo, as beautiful as that courtyard has always been, was that cook walking through with the dolly. After I snapped the photo on the right last week, I walked out and introduced myself to the hostess. She didn’t seem terribly interested in what I was doing, but she asked a couple of older employees if anyone who worked at the restaurant in 1998 was still there. After a couple of servers and kitchen staff relayed the message, “Mr. Thomas” emerged from the courtyard. According to the hostess, Mr. Thomas had been there for 35 years, though he wouldn’t corroborate that exact number when he arrived. I showed him the original photo and asked him if he remembered who that man with the dolly was.

“Yeah, I remember him. He was a cook who used to work for us.”
“He’s not still here, is he?”
“Nope”
“Um, do you remember what his name was?”
“Nope,” said Mr. Thomas as he drifted back toward the kitchen.

And that was that. Moving on…

The Napoleon House (500 Chartres St.)

All I know about this house was that it was built for Napoleon following his (first? second?) exile, but he never lived there. Still, it has that mystique about it. The sign hanging above my vantage point in 1998 was no longer there, so I had trouble framing this. I recognize that this is a strange area in which to be a perfectionist.

 Jackson Square (Facing Chartres St.)

I remember taking this picture during a stop on a walking tour that brought us through Jackson Square and at Cafe du Monde, on the Square’s Southeast corner. I also took a good photo of the Andrew Jackson statue nearby that my friend Blake ruined/enhanced by running into the frame. The other week, while my friends and I were passing through, I noticed the same rounded balcony (the French Quarter makes this really easy) and snapped the photo on the right. It wasn’t intentional, but I did capture a gentleman who we lovingly called “Steampunk Santa” walking through and eating frozen yogurt. Though the resident band wasn’t set up in that exact spot (as amazing as that would have been), there was still plenty of action less than 10 meters away:

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Old man party time with a brass band in Jackson Square, April 2018. Photo by the author.

That’s all I’ve got. I love New Orleans so much. I wish I had more in the tank to write about, but it’s late, it’s the last week of classes, and I’ve already put you all through enough. Don’t hesitate to get in touch if you have any questions about these photos or the stories that accompany them, or you have your own photo blog/dump from AAG this year. Have any of you caught yourself doing some repeat photography of your own? I think this is proof enough of how addictive it is. Since the AAG is now dedicating paper sessions to it, I have some hope that I’ll roll all of this insanity into something bigger.

Part III (yes, really) of my AAG 2018 retrospective coming on Friday. Don’t worry, though; I promise that it’s nothing like these first two parts.

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A lagniappe: me waiting for a streetcar up Canal in December 2007. Hopefully I’ll recreate this one some day (this may have been somewhere in Mid-City). Photo by Ted Hornick.

*Whether the term “Second Line” was thrown around so much by tourists before Katrina is questionable. I also remember hearing a constant churn of Zydeco music emanating from gift shops along Decatur Street, which I cannot say is still the case twenty years on.

^ I can only assume. I still have the CD of Brighten the Corners, but the other two fell to one of a handful of downsizing rampages over the years.

Geography Days and New Orleans Nights (AAG 2018 Recap, Part One)

img018New Orleans is the coolest city in North America. I’m not saying that as a geographer (I haven’t been to every city in North America); I’m saying it as someone who appreciates incredibly cool cities. Maybe it’s because New Orleans occupies (putting the geographer hat back on here) an invaluable space in the last 500 years of circulation of people and culture. As I’ve outlined in innumerable musical geography lectures, jazz could not have emerged from anywhere other than New Orleans. The same could be said for Mardi Gras Indians, second lines, and countless other Crescent City institutions.

One valuable perspective that my friend David shared with me was that the city is not necessarily the Southernmost US city, but the Northernmost Caribbean city. I’ve been thinking about that for most of the past two weeks. No city should belong exclusively to the United States, especially not this one.

What I’ve always appreciated about New Orleans has been how, more than any other city in North America, it has been beaten down AGAIN and AGAIN, and despite every excuse to throw in the towel, it has risen AGAIN and AGAIN. These “hits” on New Orleans throughout history have been rarely so definable as the post-Katrina flooding and disaster in 2005, the kick-them-while-they’re-down timing of Hurricane Rita a few years after, and the adjacent atrocity that BP committed in the Gulf on which they are still working to influence the narrative^.

AAG paid greater due respect to their host city than I’ve witnessed in my six years as a member. Two of the three special focuses, as clearly laid out in their GeoGram, were black geographies and natural hazards/disasters. To avoid inclusive discussion of either of those in New Orleans (in 2018) would have been irresponsible and tone-deaf. I’m grateful for all the work Derek Alderman has done during his tenure as AAG President, but helping direct attention to those topics was particularly conscientious of him.

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Dr. Derek Alderman introduces the AAG Plenary Panel, 4/12/18. Laura Pulido and Craig Colten sit on the panel to his left. Photo by the author.

All of the Black Geographies sessions that I attended were crowded and included a pointed diversity of speakers. One session on Friday morning featured a paper on black girlhood followed with papers on cruising culture in Los Angeles and the legacy of the Mardi Gras Indians, featuring details on Chief Monk Boudreaux. I was disappointed to discover I would be leaving town before he and his loyal band performed at the French Quarter Festival. That being said, the storms that passed through on Saturday the 14th made it impossible for the thousands of festival goers to see him, too, since they cancelled that day’s events due to an encroaching hell-storm.

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As far as conference cities go, New Orleans was simultaneously great and terrible. It was great because New Orleans is great. AAG did not need to fight to lure their membership there from around the world, and more attendance equals more revenue, more funding, and more material. It was terrible, because… New Orleans is great. The ability to walk to anything in the French Quarter (Café du Monde being one weakness of mine) or fire up a Jazzy Pass and hop on a streetcar to Camellia Café, Metairie Cemetery, City Park, Hi-Ho Lounge, Sidney’s Saloon, Jacques-Imo’s, Live Oak Café, Domino Sound Record Shack, or several dozen other places I’m forgetting often makes it hard to “conference” effectively.

Another bizarre, immensely entertaining facet to AAG’s anchoring itself on Canal Street was the confluence of humanity that surrounded us. Wrestlemania (an increasingly ‘New Orleans’ institution, apparently) took place at the Superdome on April 8th, and many WWE fans stuck around to take in the city over the following week, creating a mix of stuffy academics and folks in Macho Man t-shirts that was a sight to behold. I make no assumption that geographers and wrestling fans don’t have a righteous overlap (I love Macho Man, may he rest in peace), but I appreciated the juxtaposition and the ability to take photos with the words “Welcome Wrestling Fans!” projected in the concourse after registering and picking up my badge. My Lyft driver on Saturday told me how she drove wrestling legend Justin Credible from the airport a few days prior.

We didn’t really experience such a mixture of humanity in Boston, but the conference center/shopping mall that housed AAG 2017 was fairly guarded and privatized. Quantum-leaping between three different hotels on Canal St. reminded me more of San Francisco in 2016. The AAG put us in at least two hotels in the Tenderloin. From what I understood, the Tenderloin was still a “place you didn’t go” less than a decade ago (Rancid even had a song about it). In 2016, however, Diane Feinstein’s scheme was showing visible dividends. It felt accessible and safe enough, despite the pimps and prostitutes who dotted the conference hotel’s block as soon as the sun went down (some didn’t even wait until then). Canal Street, as the artery on the fringe of NOLA’s booming tourism epicenter (only, on speed… and without an ‘off’ switch), made it difficult to find reprieve. Our hotel, the Astor Crowne Plaza, sat on the corner of Bourbon Street, and it’s telling when your hotel provides you with earplugs rather than a Gideon bible.

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Roscoe, one of the coolest creatures I know in NOLA.

All that being said, I had a great time both out in the city and at the conference. I arrived on a soggy Saturday to give myself a couple of days to see some friends before the conference kicked into high gear on Tuesday. A large population of my colleagues had the same idea, though I had the advantage of staying near the horse track not far from Mid-City and avoiding the French Quarter until I checked in on Monday.

On Sunday, I headed to Uptown to grab lunch, find some old haunts, and buy some records. I wandered through Oak Street to catch up with the Live Oak Café, where my friend Ted and I once befriended the in-house pianist, Charles Farmer, and tipped him into playing “Jersey Girl” by Tom Waits*. My friend Sean in Knoxville had also given me instructions to find an old friend of his named Rosie at the Avenue Café on St. Charles. Only if he had delivered that directive to me in a Tom Waits voice under a streetlamp could it have been more quintessentially New Orleans. I needed to finish and refine my presentation before conference madness set in, so I ordered some tea and set up shop there for the afternoon. When Rosie came back from her break, I introduced myself and we had a great conversation about New Orleans, our buddy Sean, and life in general. Another thing I’ve always appreciated about the city has been its supernatural ability to bring people together from walks of life you wouldn’t even expect.

THE CONFERENCE

Monday, which happened to be my birthday, was when the aforementioned conference madness really began to spark. I knew that anytime I wandered to the anchor hotel (the Marriott, in this case) I ran the risk of getting “AAG’d” which was a verb I (doubt that I) invented to characterize the possibility of getting roped into interaction after activity after interaction that dislodges any best laid plans. The registration desk opened at 4pm, so those of us who were in town converged on our hotels and got our bearings. My best friend in Atlanta happened to be there for a few days for a separate conference, so he came by and took me out to lunch, which was wonderful. We had a whirlwind catch-up session over po’boys, beignets, and coffee, which was fortunate because our respective schedules prevented us from meeting up again before he returned to Atlanta. As much as I laud the city for bringing people together, it can also easily do that to you, too.

My friends Laura and Dave had pinned “starter dollars” on my shirt, as is the local tradition. I did not make a ton of money by the end of the night, though I did get a torrent of pleasant birthday wishes from strangers. Walking down Bourbon Street with the dollars on me a target, though, so some colleagues/friends and I quickly slipped off the block and wound up getting drinks at Brennan’s. Hearkening back to a fantastic photo that Erik Johanson took in Tampa on my birthday in 2014, I snapped this:

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Matt Boehm, Matt Kerr (armed with Sazerac), Mimi Thomas, and your author representing UTK Geography in the Brennan’s courtyard.

Another thing I appreciate about the AAG, now having been to my sixth meeting, is the ease of starting ‘traditions.’ They don’t always need to include the same people; they just have to go through the same (or similar) motions. In San Francisco, my Berlin-based friend Lucas Elsner and I took a sojourn to the Haight to shop at Amoeba. This year, we gathered some others (four people from four different countries) for an afternoon in the Bywater neighborhood. The six of us treated ourselves to lunch at Elizabeth’s and then spent more time than most normal people would at Euclid Records, nearby. I wish I had taken more pictures. I can see this tradition continuing and growing. Geographers on vinyl.

[As a cheap plug to those of you in Knoxville, Nathan McKinney and I will be playing some cuts from some of the records pictured at our next DJ night, May 3rd at Last Days of Autumn Brewing. There is no real academic outreach element here; it’s just going to be a fun night of music, craft beer, and maybe some dancing if the crowd is into that.]

THE ACTUAL CONFERENCE

I meant it when I said New Orleans was simultaneously a great and terrible setting for AAG. The fact that I’ve been working on my retrospective post(s) for hours and I’ve written so little about the actual academic, business, and networking contents of the week. Much of the time I did spend conferencing tended to blur together, composed of well-organized paper sessions, fascinating plenary talks, and poster sessions that I tried my best to swing through in between. Of course, I found myself “AAG’d” at least 3 or 4 times per day, so I missed a bunch of sessions I had saved on the AAG app.

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Bill Wyckoff (Montana State) gets an overview from Fuhito Kadama (Nagoya University) on using cartographic analysis to map early modern castle towns in Japan. Photo by the author.

Speaking of the AAG app, kudos to the organization and whatever contractor they hired to build it. I’m assuming ESRI had a hand, considering how they posted at least 2 seconds of an ad every time the app opened, but these programs don’t grow on trees. This was the first AAG that I, an obnoxious analog loyalist, did not leave with (1) a printed program or (2) a water bottle. I did not get the program because I may have just forgotten whether I had ordered one, and I didn’t get a water bottle because nobody did! The AAG forewent those party favors this year. I never heard why, but the rumblings of geographers who had too many water bottles probably became loud enough on twitter or in the conference hallways. I had enough to pack when preparing to head home, so I didn’t miss having the veritable phone book and bottle clinking around this year.

I spent much of Day One, similarly to my first day in Boston last year, wandering around the city doing some independent research and repeat photography, which I will detail extensively in Part II of my retrospective (coming later this week).

3c7986ff5c2ead14b169e121786a7547Day Two (Wednesday) I caught the cultural geographies Plenary Talk by Paul Kingsbury, which was just as solid as any other cultural geographies keynote I’ve seen, but may be the most entertaining one yet. Kingsbury’s work, already gaining a lot of steam through the preeminence of science fiction-themed reality television and paranormal preoccupations, focuses on the people and community built around these investigations. Although I went in expecting something different, the result was strangely comforting, particularly in an era when UFO enthusiasts and paranormal investigators are more often painted as wackos or transformed into memes before being understood as humans. I look forward to seeing whatever else he produces from this line of work, especially if he does somehow inadvertently prove we’re not alone.

After Kingsbury’s talk ended, I picked up a rental car and left for Lafayette. A friend invited me out there for the evening, and since I had never been to the city and was eminently curious about it, I took him up on his offer. At the advice of various Cajun friends, I wound up outside the Best Stop Supermarket in suburban Scott, sharing delicious boudin with a stray kitten. I also tasted my first pork cracklin, and quickly looked up where (if anywhere) I could get Cajun food in Eastern Tennessee.

Somewhat inspired by a 1984 Marjorie Esman article on the rediscovery and leveraging of Cajun identity in Lafayette, I walked around downtown with a critical eye, noticing the “Shop Leauxcal” signs in many storefront windows, spotting street signs that had been modified to say “Rue….” rather than the English name, and of course patronizing Lagniappe Records. Not that I didn’t support the leauxcal economy plenty at Lagniappe, but I’m grateful that my ignorance of various obscure Zydeco legends prevented me from shelling out big bucks on their rare 7-inch records that sat in a box behind the register. In a way, it felt reassuring seeing such an intensely local form of music retaining its geographic allure despite an international community of music collectors willing to drive Cajun music prices to those extremes.

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The Circle Bar, New Orleans, 2007. Photo by the author.

I got back to New Orleans around 1 AM, where I raced to the Circle Bar to find a few international friends in an effort to continue another AAG tradition: seeking out a punk show in a dive bar. The French Oi! band Rixe happened to be playing a late show, so I told my good friends Sarah Gelbard and Lucas Elsner (both of whom went on the Friday vinyl excursion) that I would meet them there. Unfortunately, Rixe were thundering through their final song as I parked and ran in, but the group of us had a great time catching up outside. We actually outlasted everyone else who had congregated on the sidewalk. The opening band drove back to Hattiesburg, and even Rixe had taken all of their merch and gone by the time we realized we had outlasted everyone short of the bar staff who were trying to clean up and close inside. Although I didn’t get to experience the show with my friends, I got the rewarding conversation and exhaustion afterwards. So, in other words, I felt at home again. Extra respect to Sarah for her impressive ability to talking her friends and colleagues, many of whom were not even into punk and had never been to a show, into what must have been a marginally terrifying experience for them. Although the building looks fairly large from across the circle (as seen in that photo I took of it in 2007, above), inside it was as intimate and divey as any bar where you would see a French Oi! band play on a Wednesday night. I remember how curious the place made me when I wandered by it in December 2007, so I loved being able to see inside it. It wasn’t quite the dream-come-true that I experienced outside of Segovia in 2015, but I appreciated the stop nonetheless.

THE ACTUAL ACTUAL CONFERENCE

Thursday was my first day completely full of conference activity, beginning with a session I chaired on the Geographies of Music. It featured talks from Max Buckholz on the Bay Area punk explosion of the 1990s (a project after my own heart), soundmapping the music of Donny Hathaway by Ranier LeLoup (Laval), gentrification in Brixton by Australian transplant Kate Carr, Erasmus Institute research on gig economies and spaces by Arno van der Hoeven (Rotterdam), and a discussion by Ola Johannson (Pittsburgh-Johnstown), who has appeared numerous times on this blog.

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Max Buckholz presents on the Bay Area Punk Explosion, Thursday morning. Photo by the author.

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Arno van der Hoeven (Erasmus Institute, Rotterdam) presents on Thursday morning. Photo by the author.

 

That afternoon, Helen Morgan-Parmett’s (UVM) Plenary Talk for the Media and Communication Geography specialty group became perhaps my favorite session of the entire meeting. My friend (and AAG social media guru) Emily Fekete introduced her, and the first thing that Helen commented was that she wasn’t a geographer. Ironically, whenever extra-disciplinary presenters mentioned this throughout the conference, I noticed that their audiences perked up a bit. Or maybe it was just me. Either way, I was disappointed that Helen didn’t have a bigger crowd for a discussion of generations of representation of New Orleans in film and television, one of the most gift-that-keeps-on-giving of locally focused topics covered at AAG.

The lecture taught me a ton about the history of film in New Orleans, including correcting many false assumptions that I’d had. One of which was that much of the city’s burgeoning role as a filming site was a post-Katrina phenomenon; in fact, the Film New Orleans tax credit initiatives went back to 2002. She also included a discussion of the quintessential “brilliant, but canceled” 1988 series Frank’s Place, which actually had to be rescued from complete eradication by forward-thinking pages at CBS, snatching the master tapes out of the garbage. Helen shared the beautiful, nostalgic credit sequence that made more money for Louis Armstrong’s estate per episode than any of the actors did. Still, it nearly brought a tear to my eye, as I’d watched scenes from the show before in undergrad, but had never seen this:

One of my favorite professors in undergrad, Richard Dubin, was one of the principal producers on the show, and this talk gave me a wonderful excuse to get back in touch with him. He told me he was still proud of that show, thirty years later, and I was glad to mention this connection to Helen while I was commending her for her talk.  It got several gears turning in my head regarding writing I’ve been doing on symbolic gentrification in popular culture and reading I’ve been doing on Debord’s society of the spectacle (“places becoming filmed places”). It also bears mentioning that while searching for postcard image sites on Tuesday (again, more on that soon), my friends and I walked past a crowd that had accumulated by Lafayette Square where NCIS was filming a scene. The city as a compilation of inescapable representations, indeed.

FRIDAY (AGAIN)

On Friday, I woke up early to present my new paper on the uses of Punk and Underground Music in Teaching Geography, which seemed to go over well. Erik Hitters kicked off our session with a continuation of the research that he and van der Hoeven had been doing on Rotterdam, Adam Zendel (Toronto) talked about qualitative research on people on the fringes of the music industry (union workers, roadies, DIY musicians) and the toll that the lifestyle takes on them, Anne Smith (Montpellier) talked about music’s role in surf communities in Florida, I presented, and then my buddy Séverin Guillard brought it home with a discussion.

And just like that, our session ended, we congregated and chatted in the hallway for a few minutes, and then we all scattered. I got back together with Séverin, Sarah, and Lucas that afternoon for food and record shopping in the Bywater, but for the most part the conference pulled us in multiple directions later that day. Lauri Turnpeinin, another European geographer with deep interest in music who came on the vinyl excursion, and I caught up in the airport early the next morning (more on that in my very left-field Part III entry, later this week).

 

Later on Friday, I was incredibly fortunate to find a session on Repeat Photography happening in the Sheraton in an unenviable time slot (imagine what was happening down on the street, one block away from the casino and portals to the French Quarter Festival). I’ll write more about that very soon. I’m going to cut this off here for reasons of length and sanity. Come back for Part Two in a few days, where I’ll share some of the repeat photography mentioned here and alluded to throughout this entry. Thanks for reading this far.

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The Dirty Dozen Brass Band at the French Quarter Festival, Thursday afternoon. Photo by the author.

^ I will withhold judgment in this area until I see this movie, but it never hurts to be cautious there.
* I also bought Charles’ album Dead Men Tell Tales, which was a CD-R and didn’t play very well. Anyway, you can check out his music here.