Of Course Geography Matters (Nathan Rabin)

There was an instant chemistry between us [strangers at a Phish concert], both because we were fucked up and because we were all from the Midwest. I had once believed that the Internet had rendered geography irrelevant. If you can send ideas and energy out into the world, then why should it matter where you are physically?

That now seems naïve. Of course geography matters. Cities matter. Cities get in your bloodstream. They tell you who you are. They’re in your soul. They define you.

Nathan Rabin, You Don’t Know Me But You Don’t Like Me: Phish, Insane Clown Posse, and My Misadventures with Two of Music’s Most Maligned Tribes. 2013, Scribner.

Really enjoying this book.

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MetroTimes.com

Geography Department Talk TOMORROW: Geography and Popular Culture (DOW 270)

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For anybody who is either around the Dow Science Complex on the Central Michigan campus tomorrow (Friday 11/1) or enjoys eating gratis lunch, I’ll be giving a talk at Noon! Join me and my colleagues in DOW 270 to learn about my research, the overlap between Geography and Pop Culture, and see me break down what I mean by Symbolic Gentrification. I look forward to seeing you.

Those details again:

Friday, November 1,  12pm – 1pm
Central Michigan University 
Dow Science Complex Room 270

There will be lunch. And cookies, probably.

 

‘I’m not a woman / I’m not a man’ Geography and Gender (GEO 360) Available this Spring at CMU

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I once told myself that if I ever had the opportunity to teach a course on gender and geography, I would feature Prince on the flyer. So, here is me keeping that promise to myself. On second glance, I’m not sure whether that’s Minneapolis sprawling out behind him, but it should be.

Anyway, for any Central Michigan students interested in the course (Registration Open as of last week – CRN 22387709), I have a draft syllabus available which includes focuses on numerous topics including the spatiality of gender, the role of gender in urban development, a crash course in feminist geography, toxic masculinity, and representations of gender in place in film, TV, and music. Don’t hesitate to get in touch with any questions.

Recommended Sunday Reading & Viewing

Happy Sunday. It’s a rainy and cold day here in Michigan, and I’m taking advantage of that to catch up on a few things I’ve neglected over the past couple of weeks. I don’t have time to write a proper entry (yet) about my Ben Irving Postcard searching in Detroit, but it was a successful start. In the meantime, I wanted to signal-boost a great article in Sports Illustrated and a great new documentary. I don’t know how valuable my endorsement here is, but I wanted to at least commend the respective producers for jobs well done from this geographer’s perspective.

Recommended Reading : THIS IS BRAVES COUNTRY / THIS WAS BRAVES COUNTRY

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I’ll be honest; I subscribed to Sports Illustrated following the Caps’ Stanley Cup victory so I could get an Ovechkin print and a limited-edition Washington Capitals Collectors’ edition. I only care about a few sports, and my short list doesn’t include the gambling-heavy ones the magazine usually focuses on.  All that being said, Sports Illustrated deserves a LOT of credit for elevating their topical writing and specialized coverage in an age when some magazines (which shall remain nameless) have turned into tabloids in an act of desperation to retain physical sales. For one thing, their 2019 swimsuit issue made a point to feature an ethnically and physically diverse set of models, focus on the models’ lives and thoughts, and address the elephant in the room about why the swimsuit edition even exists.

For another thing, the latest issue (October 7th, 2019) includes an excellent article about race, class, and baseball in Atlanta. Brian Burnsed takes a critical look at how the Braves’ move from Fulton County to Cobb County is not only a gigantic middle-finger to the team’s middle- and under-class African-American fans, but also microcosmic of Atlanta’s accelerating privatization and segmentation of population along racial and political lines in its unyielding sprawl. Though several of my best friends live there, I would never consider Atlanta among my favorite American cities, and I’m hardly familiar with the MLS stars Atlanta United, but Burnsed’s article makes me want nothing more than to go and hang out with the team’s fans in “the Gulch.” I had the “privilege” of going to a Braves game at Suntrust Park last season, and (to give the most insightful, academic analysis) it sucked. We parked in a lot adjacent to an office park, paraded over one mile with thousands through at least one or two other office parks, and sat in a sea of fans who, following a spirited video of Jason Aldean telling them to do so, did the tomahawk chop (in 2018). It’s all disenchanting, and a little dispiriting, particularly considering the angry letters I’m sure SI is receiving from “100% not racist” white Braves fans in the wealthy, season-ticket holding pockets of Cobb County upset that Sports Illustrated had to “make everything about politics.” I’d be interested in seeing what happens when Atlanta beefs up and privatizes the Gulch around Mercedes-Benz stadium.

Recommended Viewing: PUNK THE CAPITAL, BUILDING A SOUND MOVEMENT IN WASHINGTON DC (1976-1984)

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The post-screening Q&A panel for Capitals of Punk. (L-R) Moderator Otto Buj, Andy Wendler (The Necros), director James June Schneider, Tesco Vee (The Meatmen/Touch & Go zine), Jeff Nelson (Minor Threat/3/Dischord Records).

Though I’m still processing the fact that it happened in the first place, on my way out of Detroit, I stumbled upon a screening of James June Schneider’s new Punk the Capital documentary at Third Man Records. I met James a few summers ago when I was in DC to do some zine research for my dissertation, so I wanted to say hi and congratulate him on completing the thing. I knew that the film’s release had been delayed for some years. On Friday night, I found out that he had been working on it for over 15 years, and it showed.

Punk the Capital is a MASTERPIECE, and I can’t recommend it highly enough. I don’t think I had seen as much as five seconds of the footage, most of which came from Paul Bishow’s treasure-trove of Super 8 footage from the proverbial ‘back in the day.’ I can’t remember the last time a documentary made me smile and tap my foot this much, and in a strange way, it made me feel even more validated in devoting so much of my own life to studying and writing on how harDCore has seismically changed the world.

Also, the Q&A was a lot of fun, replete with stories from the handful of punk legends sitting on the stage. Tesco Vee mentioned the latest price tag he spotted on one of those /100 Necros Sex Drive EPs on eBay: $5,300. That’s not a typo. Five thousand and three hundred dollars. Good luck if you spot one for sale and have a 401k sitting around you can cash out.

James was joking with me after the screening that he and I would be competing on google now. I don’t imagine that will actually happen, but on the off chance somebody stumbles onto this website or Capitals of Punk, I’ll copy and paste the slew of upcoming Punk the Capital screenings here, in case you’re in one of these cities so you can drop whatever plans you have to go see the film (if isn’t already sold out).

  • October 13th, Milwaukee WI, Real TinselQ and A with Jeff Nelson ( Dischord Records / Minor Threat ) and filmmaker(s)
  • October 14th, Kansas City MO, Record BarQ&A with Jeff Nelson ( Dischord Records / Minor Threat ) and filmmaker(s) – co sponsored by Oddities Prints!
  • October 15th, Iowa City IA, Film Scene Q&A with Jeff Nelson ( Dischord Records / Minor Threat ) and filmmaker(s)
  • October 16th, Omaha NE, The Union for Contemporary Art Q and A with Jeff Nelson ( Dischord Records / Minor Threat ) and filmmaker(s)
  • October 17th, Denver CO, Aztlan Theatre 7:30 pm – no advance sales 
  • October 18th Reno NV, (flash screening! TBA)
  • October 19th, San Francisco CA, Artists Television Access Q and A with Chris Stover (Void), filmmaker(s) + bonus Void short film!
  • October 20th, Oakland CA, Land and Sea Q and A with Chris Stover (Void) and filmmaker(s) + bonus Void short film!
  • October 21st, Los Angeles CA, The Regent Q and A with Henry Rollins, filmmaker(s) and others moderated by Ian Svenonius
  • October 23rd, Tucson AZ, The Screening Room Q and A with co-director James June Schneider
  • October 24th, El Paso TX, Alamo Cinema Drafthouse (listing TBA) Q and A with co-director James June Schneider
  • Phoenix AZ, October 26th, Film Bar, Facebook Q and A with co-director James June Schneider
  • October 27th, Albuquerque NM, The Tannex, Facebook Q and A with co-director James June Schneider
  • October 28, Tulsa OK, Circle Cinema (POSTPONED BY VENUE!)
  • October 29, Memphis TN, (flash screening! TBA)
  • October 30th, Asheville NC, Grail Moviehouse – Q and A with filmmaker (s)
  • November 9, Washington DC area, AFI Q&A with filmmaker(s) and special guests TBA
  • November 10, Washington DC area, AFI Q&A with filmmaker(s) and special guests TBA
  • November 11,Washington DC area, AFI Q&A with filmmaker(s) and special guests TBA
  • November 17, Leeds, UK, Leeds International Film Festival
  • November 19, Leeds, UK, Leeds International Film Festival
  • November 23rd, Amsterdam NL, Occii

Material Culture in Detroit Tomorrow (plus new Instagram Account)

Hi, everyone. Yesterday contained one of those “life comes at you fast” mornings for me (in a genuinely positive way). I found out that I won a grant to attend a meeting in France this December, and I just pried open my wallet to register for the AAG meeting in Denver next April. This week, though, I’m excited to head down to a conference taking place a short drive from me: the meeting of the International Society for Landscape, Place, and Material Culture (ISLPMC) in Detroit.

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(via CitiesofDesignNetwork)

This will (finally) be my first time in Detroit proper. I’m looking forward to doing some exploring, eating pierogies, and paying a long-overdue visit to Hello Records. I’m also looking forward to reuniting with some old friends and colleagues at the conference, especially RJ Rowley (an erstwhile collaborator from Illinois State), Ethan Bottone (an old nemesis from Tennessee), and Steven Donnelly (a punkademia collaborator all the way from Belfast).

If you’re at the conference or in the Detroit area, I’ll be presenting some brand new research on “Antique Postcards and Urban Privatization” on Friday at 2:40pm in the Fort Gratiot Room at the Double Tree Hotel downtown. Full Schedule.


NEW INSTAGRAM ACCOUNT

To coincide with this presentation and ostensible research trip, I’m also going to start up a brand new Instagram account dedicated to the Ben Irving Postcard Project! If you’re interested, give it a follow at https://www.instagram.com/postcardsfromirving/. Let’s see where this goes.

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Thanks for reading.

Black Artists Built Country Music—And Then It Left Them Behind — TIME

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Reblogging this from TIME. Article by Andrew R. Chow. Enjoy! I’ll be back with you soon.

– Ty

Over the past few months, a contentious debate has raged over whether Lil Nas X, whose single “Old Town Road” spent a record 19 weeks atop the Billboard Hot 100 this summer, is a country artist. But for the filmmaker Ken Burns, the answer is clear. “The fact somebody has walked into country music, that…

via Black Artists Built Country Music—And Then It Left Them Behind — TIME