OUT NOW: Interview with Dayne Walling on the 10th Anniversary of the Flint Water Crisis (Popula)

“Happy” 10th Anniversary to the switch that kicked off the Flint Water Crisis. Though that moment and its optimistic press coverage provides a convenient pulse point, the crisis writ large was possible due to the conditions set forth by obnoxious Tea Party-laced GOP politics and that heady, all-American mix of “racism and bad capitalism” (h/t to Henry Zebrowski).

I recently met up with Dayne Walling (Flint Mayor 2009-2015) to chat about what really happened, and how the systemic tragedy continues playing out for him and his city a decade later. Read the full piece here.

Special thanks to Popula/Maria Bustillos for their interest and for publishing this piece!

Enjoy, and pass it along to other concerned citizens.

Dayne Walling points out toward the old Fisher Auto plant grounds from the home of his office at Insight. Flint, MI, March 5, 2024. (Photo by Tyler for Sonic Geography)

Presenting on Minstrelsy and Popular Culture Wednesday (1pm) at CMU

This week, Wednesday April 24th – Friday April 26th, Central Michigan University is hosting it’s first ever Diversity Symposium. A friend of mine in the Office of Diversity, Equity, and Inclusion encouraged me to submit to present, so I decided to bring my special lecture on how minstrelsy is baked into American Popular Culture out for another go!

*Ignore that date and time! This is an old flyer, but the information/content are still relevant.

If you’re in Mt. Pleasant, come see me this Wednesday at 1pm in Terrace Room A in the Bovee Student Center. It’s an unfortunately evergreen topic of discussion, but recent actions by certain members of the CMU community have made it even more unfortunately evergreen.

Looking forward to this, and thanks to everyone at the OIDEI for organizing it. Interested parties can register here for more information.

New Book Chapter Alert!

After a looooooong time in limbo for various reasons (COVID being chief among them, and then some legal things publisher-side; I’m sure it sounds more intriguing than it was in actuality), my chapter is finally about to appear in the forthcoming Routledge volume Interrogating Popular Music and the City, edited By Shane Homan, Catherine Strong, Seamus O’Hanlon, and John Tebbutt.

My chapter, which I’ve now presented at a couple of conference – most recently the 2023 Chicago Punk Scholars network meeting last summer – is called “Ground-Truthing DC Punk History in Adams–Morgan.” It was largely inspired by the punk walking tour I ran for the 2019 AAG meeting. It’s at Chapter 12, sandwiched in between what promise to be two great Melburnian (Melbournian?) chapters, the former of which co-authored by Cath Strong and Sam Whiting, two of my favorite Aussie colleagues.

The link to pre-order the hardcover will open on May 13th, so tell your institutional libraries!

Postcards from Irving 7 OUT MONDAY

[in best Avon Barksdale voice] “Surpriiise!

Volume 7 of Postcards from Irving is out Monday 3/11.

The contents include
All Towns Small but Interesting: Port Huron, MI
Venue Stories: The Hawaiian Room at the Lexington Hotel, NYC
The Ben Irving Songbook: “Post Office Complaint”
Plus a bonus, spirited rant inspired by finally reading James Howard Kunstler’s The Geography of Nowhere (1994).

If you would like a copy, some copies for your distro, or would like to subscribe (The 2024 run – Volumes #7-10 for $12 shipped) please reach out via the Instagram page. You can also mail $4 of well-concealed cash to Box 1309, Mt. Pleasant, MI 48804 and receive Volume 7 in the mail with a personal note. Just don’t forget to include your mailing address.

March 15th: THE BATTLE OF ALGIERS (1966) at the Broadway Theatre

Journalist: M. Ben M’Hidi, don’t you think it’s a bit cowardly to use women’s baskets and handbags to carry explosive devices that kill so many innocent people?
Ben M’Hidi: And doesn’t it seem to you even more cowardly to drop napalm bombs on defenseless villages, so that there are a thousand times more innocent victims? Of course, if we had your airplanes it would be a lot easier for us. Give us your bombers, and you can have our baskets.

I am so, so excited to have helped make this happen. One of the greatest war films ever made, screening in our little town. Mark your calendars and don’t miss it: Friday, March 15th at 6pm. Broadway Theatre in Downtown Mt. Pleasant. RSVP to the event here.

The Beatles Arrive in DC (February 1964)

Jeff Krulik posted this British Pathé archival video to his social media, and I thought it was so cool and timely that I would share it here, too.

I’ve also pasted below the text from the original post by the Whippany Railway Museum, because it doesn’t deserve to languish on Facebook whenever that site finally dies. Enjoy, and if you’re in Michigan, keep an eye out for a special screening of A Hard Day’s Night in Mt. Pleasant this Spring!


It Was 50 Years Ago Today (Tuesday)… February 11, 1964…

After their initial, historic appearance on The Ed Sullivan Show on Feb. 9, 1964, the Beatles and their entourage had plans in place to fly to Washington, D.C. on Tuesday, Feb. 11th. This was ahead of their first full concert in America at the Washington Coliseum later that evening, but a heavy fast-moving snowstorm early in the morning of the 11th crippled the New York City-area airports, forcing a last-minute change. It was decided to transport the group via the Pennsylvania Railroad.

Beatles lore says the train was named The Congressman, (attributed to 1010 WINS radio DJ “Murray The K”), but PRR did not have a train with that name… it was The Midday Congressional they travelled on, with an 11 AM Southbound departure from NY Pennsylvania Station (see the attached pdf. of the PRR timetable dated Feb. 9, 1964). The train would have been pulled by one of the road’s famed GG-1 electric locomotives… which one though, has been hard to track down.

Penn Station that morning was mobbed with fans, clogging the pathways and arteries of the vast building. Police were out in force in a vain effort to keep the overzealous teens at bay. All this chaos in the midst of the ongoing demolition of “Old” Penn Station.

A streamlined Richmond, Fredericksburg & Potomac Railroad Pullman car , the ‘King George’ (built circa-1946 and used in PRR pool service) was chartered expressly for the Beatles use by their manager, Brian Epstein. With most of the New York press corps crowding into the car along with the Beatles, there was nowhere for the group to hide. For nearly 4 hours as the train headed South, they were at the mercy of anyone who imposed… including “Murray The K” (the self-proclaimed “Fifth Beatle”) , who with his constant non-stop chatter, was someone the band found to be somewhat over the top.

The group talked and mingled with everyone they came into contact with… John Lennon and Paul McCartney sauntered through the entire train, interacting with the regular passengers, signing autographs and posing for pictures.

Considering the significance of their first live American concert, the Beatles were fairly relaxed. It wasn’t until the train pulled into Washington Union Station that the impact hit them. An estimated 3,000 kids had braved 8 inches of snow and jammed the platforms, awaiting the arrival of the train. At first the crowd made it impossible for the Beatles to disembark, with fans and press battling for position… a cascade of popping flashbulbs, and complete pandemonium. The police, totally unprepared and outmanned took cover on the sidelines as Paul McCartney led the entourage toward the exits. Somehow they made their way out and into the waiting limos.

After the concert that night at the Washington Coliseum , and following an evening’s rest, the morning of Feb. 12, 1964 found the Beatles posing for photos near the U.S. Capitol before boarding a Northbound PRR train (possibly The Midday Congressional again, with an 11:45 AM departure out of Washington). For the return trip, their manager Brian Epstein and his staff flew back to Manhattan, while the Beatles rode in a PRR 1920’s-era heavyweight sleeper-converted-to-lounge-car. Just prior to departure, Paul and Ringo stood in the vestibule posing for the press, while Paul waved a red signal flag.

A repeat of the trip down, the ride back up saw mobs of press who refused to give the band a moments peace. No matter how hard the Beatles tried to discourage conversation, there was no letup from the non-stop questions, the unending clicking of cameras, and the calls for them to “be a good sport”. Beatles’ Producer George Martin (also onboard for both runs over the Pennsy) called it “…some kind of giant three-ring circus, with the boys as stand-ins for the trained seals.”

There was some comic relief… George Harrison was lifted into a baggage rack of the car and pretended to nod off. Ringo jokingly swept out the car with a broom and grabbed the camera cases of press photographers, putting them around his neck, and then walked up and down the aisle, shouting, “Exclusive ! Life Magazine ! Exclusive ! I have a camera !”. Another shot shows George wearing a PRR Car Attendant’s uniform jacket and hat, carrying a tray of 7up and Coca-Cola.

In a series of photos, Ringo (who was clearly the favorite of the newsmen) was photographed showing off a Seaboard Railroad timetable, and later still, he’s seated with PRR Car Attendant John Ragsdale who pointed things out along the route and served Ringo drinks. 9-year-old Linda Binns managed to find her way to Ringo and spent an hour talking with him. See her current story here: http://www.timesdispatch.com/…/article_56666ef5-aa05…

Ringo spent a lot of time photographing scenes of the snow-laden American landscape as the train rolled along. Beatles photographer Dezo Hoffman said: “While so far having only seen the skyscrapers of New York…now they stared, fascinated at the complete contrast of wooden shacks and scrap-yards lining the railway tracks. There were transistor radios in the carriage and every station was either playing Beatles records, broadcasting Beatles interviews, or announcing news about The Beatles.”

John Lennon, and wife Cynthia tried in vain to make the best of things. Cynthia, disguised in a black wig and sunglasses, sat in a separate compartment to avoid the attention of the press.

One photo shows Paul chatting with George Harrison’s sister Louise (who had emigrated to America some years prior), while later still, 3 female fans approached Paul as he experienced his first hamburger (you wouldn’t see him do that today !). Take note of the PRR china plate that McCartney is using… it’s decorated with the Pennsy’s famous ‘Mountain Laurel’ pattern.

Upon arrival back in New York, the platforms were again mobbed with fans when the train pulled into Penn Station. An estimated 10,000 people were on hand in and around the PRR’s colossal station. At the last minute, just before pulling into the station, and in an effort to elude the fans, the Beatles’ car was uncoupled from the train and switched onto an isolated platform. A plan to take the band up a special elevator was foiled by fans, so the Beatles had to charge up the closest set of steps and jumped into a taxi idling on Seventh Avenue. They were already overdue for a rehearsal at Carnegie Hall, where they were scheduled to appear twice that evening.

RIP Wayne Kramer

Here are three (previously unpublished) photos of him appearing at Operation: Ceasefire on September 24, 2005 in DC.

It was the only time I ever saw him play, unfortunately, but he stood in for a few songs with the Bellrays and tore it up. By that point, a number of the most real-deal architects of punk were already dying off (his fellow Michigander Iggy Pop’s ostensible immortality being more the exception than the rule), so this moment felt fleeting and extra special. RIP.

THIS WEEKEND: Curated Playlist for Drug Church Gig in Belfast (Sunday) + DJ Set in Saginaw (Tonight)

Happy Friday! My mate Steve invited me to send over a curated playlist for this weekend’s sold-out Drug Church gig with Belwood and the New Normal at Club Voodoo in Belfast. I’ve decided to share it here, too, with an embedded playlist.

To anybody who went to the gig and found my site because you dug the tunes between the feature and headline set: thank you for visiting! There’s a decade of material scattered across the preceding posts (just keep scrolling), much of it about material you may enjoy if you’re cool enough to appreciate Drug Church. Hopefully you’ll find something you like and find a reason to bookmark the site and keep coming back.

  1. Negative Approach – “Can’t Tell No One”
  2. Carolina Durante – “Cayetano”
  3. Red 40 – “Straight Past Me”
  4. Sincere Engineer – “Fireplace”
  5. Seam – “Something’s Burning”
  6. Throbbing Gristle – “Hot on Heels of Love”
  7. Shudder to Think – “Shake Your Halo Down”
  8. Pohgoh – “Tired Ear”
  9. Sinkhole – “Donut”
  10. Mustard Plug – “Fall Apart”
  11. The Front Bottoms – “Everyone But You”
  12. MORFEM – “Megah Diterima”
  13. Broken Hearts are Blue – “Gettin’ Over My Sassy Self”
  14. Airiel – “In Your Room”
  15. The Wedding Present – “Suck”
Full Playlist here! Start yourself off with some classic NA and enjoy the ride.

BY THE WAY: If you live in Michigan and are seeing this today (Friday, February 2nd) come hang out at the Loggers Luau tonight in Saginaw! I’ll be DJing a special edition of Luau/beach/surfing/chilling Sonic Geography from 6 until 9. No cover, and there will be a food truck!

Artwork ripped from the back cover of ‘Taste the Sand!’ by Beatnik Termites (1995)

[AUDIO] “We’re Not Worthy:” ’90s Sketch Comedy in Conversation with Jason Klamm (January 23, 2024)

Photo by Andrea Graham, CRDL

Last week, despite another looming winter storm, Jason Klamm was able to make the drive up from Detroit to join me and a great little audience in conversation about his new book We’re Not Worthy: How ’90s Sketch TV Changed the Face of Comedy (available in Mt. Pleasant at Sleepy Dog Books and online here from 1984 productions). Here’s the recording of the full discussion, with some audience questions.

Two of my favorite highlights include when (1) it occurred to me, as I was sounding it out, that shows like The State were my punk rock before I discovered actual punk rock, and (2) Jason revealed how he almost got a role in the Weird Al biopic (and the person who replaced him).

Thank you again to Barb Sanford, Andrea Graham, and everybody at the Veterans Memorial Library for making this happen, and thank you to everybody who braved the weather and made it by.

“Bust a Move” x “Two Bad Neighbors (The Simpsons 3F09)”

A vast majority of my social media posts are fluff. Cotton candy, not to be taken too seriously, mainly as an act of self-preservation to document what I’m listening to and watching (or presenting; though it defeats that purpose since every platform has been systematically compromised to prevent independent events from getting free publicity by some members of the wealthy parasite class).

It’s a rare occasion that I pour my creative heart and soul into anything on social media that I truly believe deserves to be seen by more people than the 10-13, max, that Meta’s algorithms allow. Today’s the fourth anniversary of my favorite post I’ve ever put on Instagram, so to ensure that it’s seen by people who may actually appreciate it, here it is. The prompt for Day 3 of the Springfield Vinyl Challenge was: “Disco Stu doesn’t advertise! Post a disco music favorite or any album you like dancing to.”

This here’s a tale ’bout Ev’green Terrace /

Best Rummage sale; you can’t compare us /

People havin’ fun, but Sales don’t look good /

Cause George and Barbara bush are movin’ to the hood ///

Okay, Flanders /

With a PA, panders /

From table to table he meanders /

Mrs. Glick walks by; you wanna low-ball her /

Cause she’s selling her candy dish for ninety dollars ///

Shirts say the Ayatollah /

Is an assahole-uh /

Homer steals the PA and goes on a roll-uh /

Skinner bought the merch, but he will come back /

Cause he needs a fancy motor for his new tie rack///

Hey Big Spender/

Dig this Blender/

Make the crowd shout “We surrender!”/

Sell the rhinestone jacket to some funky dude/

Who don’t like to advertise?/

Disco Stu.


Reference point one.
Reference Point Two (most likely to get taken down).
Reference Point Three. Support his Patreon.